Ein Bootsunfall führt einen jungen Mann und eine junge Frau an Land in einem heruntergekommenen spanischen Fischerdorf, das sie entdecken, in den Händen eines alten Meeresgottes und seiner m... Alles lesenEin Bootsunfall führt einen jungen Mann und eine junge Frau an Land in einem heruntergekommenen spanischen Fischerdorf, das sie entdecken, in den Händen eines alten Meeresgottes und seiner monströsen halb menschlichen Nachkommen.Ein Bootsunfall führt einen jungen Mann und eine junge Frau an Land in einem heruntergekommenen spanischen Fischerdorf, das sie entdecken, in den Händen eines alten Meeresgottes und seiner monströsen halb menschlichen Nachkommen.
- Auszeichnungen
- 8 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesPaul's shirt in the film indicates he is an alumnus of Miskatonic University, an institution that features prominently in H.P. Lovecraft's stories and one of the settings in Der Re-Animator (1985), the first Lovecraft adaptation by director Stuart Gordon, producer Brian Yuzna and writer Dennis Paoli.
- PatzerAfter Paul hits the man and the car runs off the road, the hubcap comes off the wheel twice... the second time the wire on the cap is clearly visible.
- Zitate
Uxía Cambarro: Before you came, there had been no sacrifices for a year. Dagon needs her.
Paul Marsh: Fuck Dagon!
Uxía Cambarro: Yes, and their child will be immortal!
Paul Marsh: Yeah, but there's a catch. It has to live the rest of its life as some kind of half-ass fish of the sea.
Uxía Cambarro: [agreeing] In joy, with Dagon!
- Crazy CreditsDedicated to Francisco Rabal, a wonderful actor and even better human being.
- Alternative VersionenGerman version was edited by approx. 20 seconds to secure a "Not under 18" rating.
- VerbindungenFeatured in Lost in Adaptation: Dagon (2016)
As I've said before, Stuart Gordon is the undisputed master of H. P. Lovecraft adaptations, this one coming from the short story "Dagon" and one other tale (to flesh it out). He captures the imagery perfectly -- the storms, the fear of the water, the importance of an arcane faith (without making it cheesy) and of course the tentacles.
The acting is quite good, especially from the star (who was also the star of "Dreams in the Witch House")... Ezra Godden, I believe his name is (forgive me if I'm wrong). He plays a much nerdier character than in "Dreams", so much so that I might not have even noticed it was the same actor. The other characters are also good. All of them. The bum, the girlfriend, the townsfolk... I have no complaints.
The scenery was very drab, and I mean that in a good way. It was a dirty, isolated town that really portrayed the feeling of helplessness. I read in another review that Gordon moved the story from New England to Spain to capture this feeling, as modern America really has no such place left. Spain seemed natural, and fit the theme perfectly. Besides, an ancient cult does tend to have more of a "European" rather than "American" flavor to it (unlike witches, which are right at home in America).
I really have to protest about the CGI in this film, though. Some scenes use amateur computer graphics, which come across looking cartoonish. This upsets me any time I see it in a film, but even more so with Stuart Gordon. I have seen what he can do with old fashioned makeup and special effects. I've been impressed. Why has he resorted to this technique? While I would say this is the least of the Gordon-Lovecraft films I've seen, it's still a fine job. It's probably the only film you'll ever watch where you find a fish attractive. Well, besides "The Little Mermaid", of course. Ariel's pretty dang sexy.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Dagon: la secta del mar
- Drehorte
- Combarro, Pontevedra, Galicien, Spanien(Town, exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.200.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 145.046 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1