Nachdem ein Science-Fiction-Autor die Frau verloren hat, von der er glaubt, sie sei die einzige wahre Liebe seines Lebens gewesen, treten andere Frauen im Laufe mehrerer Jahre in das Leben d... Alles lesenNachdem ein Science-Fiction-Autor die Frau verloren hat, von der er glaubt, sie sei die einzige wahre Liebe seines Lebens gewesen, treten andere Frauen im Laufe mehrerer Jahre in das Leben des Schriftstellers.Nachdem ein Science-Fiction-Autor die Frau verloren hat, von der er glaubt, sie sei die einzige wahre Liebe seines Lebens gewesen, treten andere Frauen im Laufe mehrerer Jahre in das Leben des Schriftstellers.
- Auszeichnungen
- 38 Gewinne & 81 Nominierungen insgesamt
- Chow Mo-wan
- (as Tony Leung)
- Wang Jie-wen
- (as Dong Jie)
- Bird
- (as Bird Thongchai McIntyre)
- Ah Ping
- (as Siu Ping-Lam)
- Party girl
- (as Sabrina Cheung)
- Dabao
- (as Ching Siu-Lung)
Handlung
WUSSTEST DU SCHON:
- WissenswertesEach character speaks their own languages. Mr. Chow speaks Cantonese, Bai Ling speaks Mandarin, and Tak speaks Japanese, even when talking to each other. Even so, they seem to understand each other perfectly.
- Zitate
Chow Mo Wan: Love is all a matter of timing. It's no good meeting the right person too soon or too late. If I'd lived in another time or place... my story might have had a very different ending.
- Alternative VersionenChinese version is edited for sexuality in the Ziyi Zhang/Tony Leung love scenes.
- VerbindungenFeatured in Belas Artes: A Esquina do Cinema (2012)
- Soundtracks2046 Main Theme
(Percussion)
Composed and Arranged by Shigeru Umebayashi
Licensed To Virgin, EMI
(p) & © Block 2 Music Company Ltd.
Some people commenting in this forum have expressed the view of Mr. Wong's film being futuristic because the way the film starts. But basically, those futuristic sequences last so little on the screen that it might be a misnomer for "2046" to be deemed about the future, when in reality we are taken back to the sixties when Mr. Chow is seen so much in love with Bai Ling.
Mr. Wong gives us a vivid account of what the two lovers had together, but he also takes us back when something is revealed about Mr. Chow we never knew about his involvement with SuLi Zheng, the mysterious woman who is lucky in winning for him an enormous amount, but while he falls in love with her, she coolly lets him go.
We are also shown Wong Jing Wen, who Mr. Chow had a passionate love affair with, in the previous film. It appears the involvement they both had is now clearly forgotten, or maybe it wasn't as important as it once appeared to be.
The director's technique calls for an infinite amount of medium shots, usually over the shoulder of the person that listens. As a matter of fact, there is hardly any scenery in the film since most of the action either takes place while the characters are seen in conversation, or in bed where some of the torrid encounters take place. The futuristic scenes seem to be a sort of limbo where the characters, like the beautiful Android, seems to in in a world of her own.
The best asset in the film is the music the director adds to the different scenes. Some of the music is nostalgic, some operatic, or depending on whatever is being emphasized at the moment. The music enhances the action in ways that make the film hard to forget.
The best thing the director has in the film is the enormously talented Tony Leung. Mr. Leung is an actor that is always interesting to see in anything. In this film, Mr. Wong and his main actor show how attuned they both are to their collaboration. Ziyi Zhang is tremendously appealing as Bai Ling, the woman that loved intensely and suddenly finds herself on her own after the affair ended. Gong Li is seen briefly as SuLi Zheng, the mysterious woman with the one black globe he meets in Singapore. Also Maggie Cheung and Carina Lau contributed to the film as the women in Mr. Chow's life.
"2046" is a hypnotic piece of film making because the magnificent style which Kar Wai Wong gives to everything in the film to achieve this moody piece that examines love relationships in ways that are seldom seen in the movies.
Top-Auswahl
Details
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.444.588 $
- Eröffnungswochenende in den USA und in Kanada
- 113.074 $
- 7. Aug. 2005
- Weltweiter Bruttoertrag
- 20.207.146 $
- Laufzeit2 Stunden 9 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1