Two Family House

2000
R
1 Std. 48 Min.

IMDb-BEWERTUNG

7,2/10

1751

IHRE BEWERTUNG

Kelly Macdonald and Michael Rispoli in Two Family House (2000)

trailer wiedergeben0:31

1 Video

10 Fotos

Comedy Drama Romance

Füge eine Handlung in deiner Sprache hinzuA dreamer finds that his wife and friends are binding him to his mediocre existence.A dreamer finds that his wife and friends are binding him to his mediocre existence.A dreamer finds that his wife and friends are binding him to his mediocre existence.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,2/10

1751

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt

Wissenswertes
The final film of Richard B. Shull.

Patzer
This movie is set in 1956. However, we see the Staten Island Ferryboat "The Gov. Herbert H. Lehman", which didn't go into service until the mid-1960s.

Crazy Credits
Special thanks to ... the people of Bentley Avenue, Jersey City, NJ, ... the people of Port Richmond & Stapleton neighborhoods, Staten Island, NY, ... the crew of The Highlander ...

Verbindungen
Featured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)

Soundtracks
I'm Confessin' (That I Love You)
Music by Doc Daugherty (as Daugherty) and Ellis Reynolds (as Reynolds)
Lyrics by Al Neiburg (as Neiburg)
Performed by John Pizzarelli
Published by Bourne Co.
John Pizzarelli appears courtesy of Telarc International

Benutzerrezensionen40

Rezension

Ausgewählte Rezension

A touch of pathos

The most wonderful thing about nostalgia, is the pathos. I didn't watch this film with the belief that "This was the way things were"--rather, I enjoyed the story of Everyman: The wide eyed dreamer with little chance of success. A man whose comfort zone included failure-he was happy with: "I could have been..."

I like misty-eyed forays into Post War America- my childhood was directly shaped by this era. I realize that people were only so different, but the "way of life" was drastically different- Maybe thats what makes nostalgia so attractive: The loss of youth.

At one time small stories on film were common-nowadays we only get to see them on the indy film award circuit. Unfortunately that in itself has come to imply "Great Film"...How about "good film". Would people then watch it to enjoy, instead of honor?