Regisseur Kenneth Branagh hat die klassische Shakespeare-Geschichte wie ein klassisches Musical aus den 1930er Jahren gedreht. Er erzählt die Geschichte von vier besten Freunden, die der Lie... Alles lesenRegisseur Kenneth Branagh hat die klassische Shakespeare-Geschichte wie ein klassisches Musical aus den 1930er Jahren gedreht. Er erzählt die Geschichte von vier besten Freunden, die der Liebe abschwören.Regisseur Kenneth Branagh hat die klassische Shakespeare-Geschichte wie ein klassisches Musical aus den 1930er Jahren gedreht. Er erzählt die Geschichte von vier besten Freunden, die der Liebe abschwören.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe actors did their own singing.
- PatzerWhile the movie's concentrating on what is obviously WW2, one of the paper shown announces the end of the war on November 11, which is in fact the date of the end of WW1 in 1918 (the end of WW2 being on May 8, 1945 in Europe and August 15 in Asia).
- Zitate
Berowne: From women's eyes this doctrine I derive: They are the ground, the books, the academes, from whence doth spring the true Promethean fire. O, we have made a vow to study, lords, and in that vow we have forsworn our books; For when would you, my liege, or you, or you in leaden contemplation have found out such fiery numbers as the prompting eyes of beauty's tutors have enriched you with? Other slow arts entirely keep the brain, and therefore, finding barren practisers, scarce show a harvest of their heavy toil; But love, first learned in a lady's eyes, lives not alone immured in the brain but with the motion of all elements courses as swift as thought in every power and gives to every power a double power, above their functions and their offices. It adds a precious seeing to the eye: A lover's eyes will gaze an eagle blind. A lover's ear will hear the lowest sound. Love's feeling is more soft and sensible than are the tender horns of cockled snails. Love's tongue proves dainty Bacchus gross in taste, for valour, is not Love a Hercules, still climbing trees in the Hesperides? Subtle as Sphinx, as sweet and musical as bright Apollo's lute, strung with his hair. And when Love speaks, the voice of all the gods make heaven drowsy with the harmony.
[begins to sing the song "Cheek to Cheek"]
Berowne: Heaven, /I'm in heaven. /And my heart beats so that I can hardly speak...
- Alternative VersionenThe UK Region 2 DVD contains 5 deleted scenes:
- The boys are arguing about the girls and about breaking the vows the made.
- Moth, Constable Dull, Holofernia, Sir Nathaniel and Costard and discussing what to perform for the king, the princess and their company. They descide upon performing ^Óthe 9 worthies^Ô. Parts of this scene can be seen in the news reels.
- The third extra scene is an extended version of the scene were the girls are discussing and mocking the gifts they received from the men. The extra parts are extra dialogue for Katherine and Rosaline. Katherine tells the story of a girl who died from melancholly. Rosaline has an extended part of dialogue in which she mocks the men and Berowne specifically.
- There is a alternative scene for the masked dance scene more true to the story of Shakespeare. The boys dress up as Russians who specially came to visit the girls.
- The fifth scene is the performance of 'the 9 worthies' by the supporting characters.
- The UK Region 2 DVD does also contain various outtakes. Some of these were cut (ca. 4 seconds) to maintain the "U" rating.
- SoundtracksI'd Rather Charleston
by George Gershwin and Desmond Carter
Performed by Kenneth Branagh, Alessandro Nivola, Matthew Lillard and Adrian Lester
In "Love's Labours Lost" Branagh has captured the fun of the play; the updating works (although just barely), and the choice of music is inspirational (kind of a Bard version of "Singing in the Rain", if you can forgive the pun)! Yes, many of the actors had never done this sort of thing before, but you can see they had fun trying!
It seems invidious to single out any performances, but there were a few that stood out; every review I have ever read heaps unstinting praise on Adrian Lester, and they are right to do so. However, let us not forget the incomparable talents of Nathan Lane, the joy of seeing Timothy Spall have a chance to go completely over the top (makes a change from all the Mike Leigh films!) and the sheer radiance of Natascha McElhone, with whom I am now totally besotted! And a special mention for another fine performance from Richard Briers, as Kenneth Branagh helps him prove (yet again) that he is so much more than Tom Good.
Kenneth Branagh is often accused of being a 'luvvy' (an image which he lampooned so well in the recent Harry Potter film, well done Ken!); he's much more than that, he's a genuine original, somebody with a passion for film and theatre and the ability to share that passion with the rest of us. This film is (along with "Amelie") one of my never-failing pick-me-ups; I look forward to whatever he has next in store for us!!!
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- Love's Labour's Lost
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- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 299.792 $
- Eröffnungswochenende in den USA und in Kanada
- 24.496 $
- 11. Juni 2000
- Weltweiter Bruttoertrag
- 299.792 $
- Laufzeit1 Stunde 33 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1