IMDb-BEWERTUNG
7,0/10
24.418
IHRE BEWERTUNG
Ein verzweifelter Mann versucht herauszufinden, warum seine Geliebte ihn vor Jahren verlassen hat.Ein verzweifelter Mann versucht herauszufinden, warum seine Geliebte ihn vor Jahren verlassen hat.Ein verzweifelter Mann versucht herauszufinden, warum seine Geliebte ihn vor Jahren verlassen hat.
- Für 2 Oscars nominiert
- 2 Gewinne & 29 Nominierungen insgesamt
Heather-Jay Jones
- Henry's Maid
- (as Heather Jay Jones)
Sam Bould
- Lance Parkis
- (as Samuel Bould)
Simon Fisher-Turner
- Doctor Gilbert
- (as Dr. Simon Turner)
Claire Ashton
- Brighton Fair-Goer
- (Nicht genannt)
Jeremy Caleb Johnson
- Bystander
- (Nicht genannt)
Anthony Maddalena
- Vicar on Train
- (Nicht genannt)
Nic Main
- Commanding Officer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMiranda Richardson and Kristin Scott Thomas were both considered for the role of Sarah Miles, before Julianne Moore personally wrote a letter to director Neil Jordan, asking for the part in the film. Her method worked, and she was offered the role.
- PatzerWhen Mr. Parkis enters the apartment and Bendrix is shaving, the shaving cream changes more than once between the various edits.
- Zitate
Sarah: Love doesn't end, just because we don't see each other.
Maurice Bendrix: Doesn't it?
Sarah: People go on loving God, don't they? All their lives. Without seeing him.
Maurice Bendrix: That's not my kind of love.
Sarah: Maybe there is no other kind.
- VerbindungenFeatured in Behind the Passion (1999)
- SoundtracksHurry Home
Written by Joseph Meyer, Robert D. Emmerich and Buddy Bernier
Performed by Bert Ambrose and His Orchestra (as Ambrose and His Orchestra)
Sung by Denny Dennis
Courtesy of The Decca Record Company Ltd.
Under license from The Film and TV Licensing Division of The Universal Music Group
Ausgewählte Rezension
Love and the spiritual (i.e. inner) life have rarely been better portrayed! Graham Greene's novel has been translated to cinematic imagery with an almost religious devotion. It isn't easy to make profound and meaningful experience so immediate and felt as this film does. Watching it on video...a second viewing...I was even more deeply moved than the first time around.
Julianne Moore, very much on the big screen these days (and for good reason), gives another of her splendid performances, this time as Sarah Miles, a middle-class English woman, married to a good, but dull man who takes her for granted. Her encounter with Maurice Bendrix (played to a T by the consummate actor, Ralph Fiennes) is electric and sets in motion an affair of deep consequence...for all three people involved. Stephan Rea as Henry Miles, Sarah's husband, trapped in his desire, but inability to fulfill the emotional and sexual needs of his much-loved wife, is another convincing and touching portrayal.
The spiritual aspects expressed in the film, reflect the life-long struggle of Grahame between his Catholicism and his doubts. The deep pulls of each character toward both personal and impersonal love give the film a dimension and an honesty that reward the "participant" (for that's how potent the film is) with an indelible human experience.
To Neil Jordan, the director, my wholehearted gratitude for his sensitive, nuanced presentation of this beautiful film.
Julianne Moore, very much on the big screen these days (and for good reason), gives another of her splendid performances, this time as Sarah Miles, a middle-class English woman, married to a good, but dull man who takes her for granted. Her encounter with Maurice Bendrix (played to a T by the consummate actor, Ralph Fiennes) is electric and sets in motion an affair of deep consequence...for all three people involved. Stephan Rea as Henry Miles, Sarah's husband, trapped in his desire, but inability to fulfill the emotional and sexual needs of his much-loved wife, is another convincing and touching portrayal.
The spiritual aspects expressed in the film, reflect the life-long struggle of Grahame between his Catholicism and his doubts. The deep pulls of each character toward both personal and impersonal love give the film a dimension and an honesty that reward the "participant" (for that's how potent the film is) with an indelible human experience.
To Neil Jordan, the director, my wholehearted gratitude for his sensitive, nuanced presentation of this beautiful film.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- The End of the Affair
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 23.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.827.816 $
- Eröffnungswochenende in den USA und in Kanada
- 198.535 $
- 5. Dez. 1999
- Weltweiter Bruttoertrag
- 10.827.816 $
- Laufzeit1 Stunde 42 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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