IMDb-BEWERTUNG
4,7/10
11.898
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAbbie, tired of failed relationships, has a one-night-stand with her gay friend; they agree to raise the resulting baby together.Abbie, tired of failed relationships, has a one-night-stand with her gay friend; they agree to raise the resulting baby together.Abbie, tired of failed relationships, has a one-night-stand with her gay friend; they agree to raise the resulting baby together.
- Auszeichnungen
- 3 Gewinne & 10 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesRupert Everett disliked the script and originally turned the role down. Paramount wanted to hire Everett so much that they offered him a producing and writing credit and the right to pick his co-star. Everett picked his longtime friend, Madonna. During production, Everett was fired as producer and co-writer.
- PatzerNear the end of the film, when Robert is talking to Ben across the street of Sam's school, Robert's head keeps changing positions between shots. In one shot he is looking toward Ben and in another shot he is looking at the school, then it goes back to the other shot when hes looking at Ben.
- SoundtracksBoom Boom Ba
Written by Aida Bredou and Skully
Performed by Métisse
Courtesy of Wildstar Records
By Arrangement with Telstar Special Products, Part of the Telstar Entertainment Group
Produced by Magnus Fiennes (uncredited)
Ausgewählte Rezension
Oh dear.
Don't get me wrong, I love Madonna as a singer and a bloody good one she is too. And she was good in Evita. But no matter how hard she tries she is still Madonna, and as 'Abbie' in this travesty of a film, she proves that she really should stick to the day job (i.e - singing)
I'm trying to be constructive, but this film is truly apalling. Admittedly, Rupert and Madonna are hindered by one of the worst, most hackneyed screen plays I have heard in many a year. Hear are just a few snippets of the trite, contrived, cliched dialogue:
"Being a parent takes more that DNA!!"
"I take sick companies and make them well"
"I miss him. He was totally me!"
The use of gay stereotypes is utterly apalling (I would be outraged if I were a gay man) the plot is dull and the characters are so thinly developed that there is no room for empathy. We learn next to nothing about the character of Abbie (nor do we care) and Rupert's Robert is simply a gay stereotype - I can't believe that he read the script and then agreed to accept the part. Perhaps he was feeling under the weather at the time and his judgement was impaired. Whatever the case, by the time the brat of a kid has his fate decided, you really could not care less what happened to him, Rupert or Madonna. All that stopped me hitting the fast forward button at regular intervals, was the unintentional, self parodic hilarity of this film. A prime example being the impromptu performance of 'American Pie' around the grave of one of the bloke's boyfriend's. Supposedly a poignant touch, this is unintentionally hilarious and has to be seen to be believed.
Avoid it at all costs, unless you have a fondness for seriously bad films, unintentional, self parodic humour, wooden, over-the-top acting, a wafer thin plot, characters who are little more than stereotypes and contrived dialogue. Need I go on?
Don't get me wrong, I love Madonna as a singer and a bloody good one she is too. And she was good in Evita. But no matter how hard she tries she is still Madonna, and as 'Abbie' in this travesty of a film, she proves that she really should stick to the day job (i.e - singing)
I'm trying to be constructive, but this film is truly apalling. Admittedly, Rupert and Madonna are hindered by one of the worst, most hackneyed screen plays I have heard in many a year. Hear are just a few snippets of the trite, contrived, cliched dialogue:
"Being a parent takes more that DNA!!"
"I take sick companies and make them well"
"I miss him. He was totally me!"
The use of gay stereotypes is utterly apalling (I would be outraged if I were a gay man) the plot is dull and the characters are so thinly developed that there is no room for empathy. We learn next to nothing about the character of Abbie (nor do we care) and Rupert's Robert is simply a gay stereotype - I can't believe that he read the script and then agreed to accept the part. Perhaps he was feeling under the weather at the time and his judgement was impaired. Whatever the case, by the time the brat of a kid has his fate decided, you really could not care less what happened to him, Rupert or Madonna. All that stopped me hitting the fast forward button at regular intervals, was the unintentional, self parodic hilarity of this film. A prime example being the impromptu performance of 'American Pie' around the grave of one of the bloke's boyfriend's. Supposedly a poignant touch, this is unintentionally hilarious and has to be seen to be believed.
Avoid it at all costs, unless you have a fondness for seriously bad films, unintentional, self parodic humour, wooden, over-the-top acting, a wafer thin plot, characters who are little more than stereotypes and contrived dialogue. Need I go on?
Top-Auswahl
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.990.582 $
- Eröffnungswochenende in den USA und in Kanada
- 5.870.387 $
- 5. März 2000
- Weltweiter Bruttoertrag
- 24.362.772 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Ein Freund zum Verlieben (2000) officially released in India in English?
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