IMDb-BEWERTUNG
6,7/10
34.604
IHRE BEWERTUNG
Die Gruppe versammelt sich in dem Haus in einem Vorort von Kopenhagen, um alle Grenzen zu durchbrechen und den ""inneren Idioten"" in sich selbst hervorzubringen.Die Gruppe versammelt sich in dem Haus in einem Vorort von Kopenhagen, um alle Grenzen zu durchbrechen und den ""inneren Idioten"" in sich selbst hervorzubringen.Die Gruppe versammelt sich in dem Haus in einem Vorort von Kopenhagen, um alle Grenzen zu durchbrechen und den ""inneren Idioten"" in sich selbst hervorzubringen.
- Auszeichnungen
- 6 Gewinne & 5 Nominierungen insgesamt
Jens Jørn Spottag
- Boss At Advertising Agency
- (as Jens Jørgen Spottag)
Handlung
WUSSTEST DU SCHON:
- WissenswertesInfamously, English critic Mark Kermode got thrown out of the screening at the Cannes film festival for loudly heckling the film and yelling "il est merde!" at the screen on multiple occasions (French for the vulgar critique, "this is shit").
- PatzerThis is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors.
- Alternative VersionenTo avoid an NC-17 rating, the U.S. distributor used black bars to cover all shots of male genitals and penetration during the orgy scene.
- VerbindungenFeatured in De ydmygede (1998)
- SoundtracksThe Swan
Written by Camille Saint-Saëns (as Camille Saint-Saens)
Ausgewählte Rezension
While not quite at the same level as _Breaking the Waves_, the only other Lars von Trier I have seen (his films are quite hard to come by in Midwestern American video stores, you understand), _The Idiots_ is still a great film, and, in some ways, is just as important.
I have to comment on a lot of the reviews I've seen for this movie. A lot of viewers judge the film by the theories and views about the group's existence (particularly the view spoken by the most outspoken of the Idiots, Stoffer). This is surely not the way von Trier meant his audience to take the film. If you paid any attention to the film, you'll notice that the Idiots' lifestyle is never glamorized. Everyone's experience in the group ends in embarrassment and despair. You should also note that none of the Idiots has the same opinion of why they like to act the idiot. Stoffer might say that they do it to upset the bourgeosie (I don't pretend to know how to spell that word), but the next person might be doing it just to play around. The artist (whose name escapes me at the moment) is doing it to become a better artist, and the doctor is doing it almost for experiment. There is never a reason for the groups' existence that the entire group agrees upon. This is extremely important for understanding this film.
The way _The Idiots_ particularly hit me was in the characterizations. The actors are so great in this film that they hit the level of: "Is this really acting, or is it just being?" von Trier hit the same level in _Breaking the Waves_. These actors were so good, their characters just jumped out of the script. There are many characters, and only a few of them are characterized in the script extensively. Stoffer, although not the main character, is the most prominent character in the script. Many of the characters don't have all that many lines or screen time, but I felt I knew them all well.
I also appreciated that it actually entertained me. I wasn't expecting to enjoy it so much. It is often very, very funny (if offensive). It also gripped me emotionally. I did not particularly comprehend the ending's meaning, but it left me with a powerful emotion. I did have tears in my eyes when I left the theater, and a lot of thoughts in my head. When a man outside the theater stopped me to ask me how I liked it, my lips and my brain were too dry to actually answer anything but, "I liked it. I liked it a lot." 9/10
I have to comment on a lot of the reviews I've seen for this movie. A lot of viewers judge the film by the theories and views about the group's existence (particularly the view spoken by the most outspoken of the Idiots, Stoffer). This is surely not the way von Trier meant his audience to take the film. If you paid any attention to the film, you'll notice that the Idiots' lifestyle is never glamorized. Everyone's experience in the group ends in embarrassment and despair. You should also note that none of the Idiots has the same opinion of why they like to act the idiot. Stoffer might say that they do it to upset the bourgeosie (I don't pretend to know how to spell that word), but the next person might be doing it just to play around. The artist (whose name escapes me at the moment) is doing it to become a better artist, and the doctor is doing it almost for experiment. There is never a reason for the groups' existence that the entire group agrees upon. This is extremely important for understanding this film.
The way _The Idiots_ particularly hit me was in the characterizations. The actors are so great in this film that they hit the level of: "Is this really acting, or is it just being?" von Trier hit the same level in _Breaking the Waves_. These actors were so good, their characters just jumped out of the script. There are many characters, and only a few of them are characterized in the script extensively. Stoffer, although not the main character, is the most prominent character in the script. Many of the characters don't have all that many lines or screen time, but I felt I knew them all well.
I also appreciated that it actually entertained me. I wasn't expecting to enjoy it so much. It is often very, very funny (if offensive). It also gripped me emotionally. I did not particularly comprehend the ending's meaning, but it left me with a powerful emotion. I did have tears in my eyes when I left the theater, and a lot of thoughts in my head. When a man outside the theater stopped me to ask me how I liked it, my lips and my brain were too dry to actually answer anything but, "I liked it. I liked it a lot." 9/10
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Idioten
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 2.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 2.804 $
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