Rob, ein Plattenladenbesitzer und zwanghafter Listenhersteller, berichtet über seine fünf erinnerungswürdigsten Trennungen, einschließlich der aktuellen.Rob, ein Plattenladenbesitzer und zwanghafter Listenhersteller, berichtet über seine fünf erinnerungswürdigsten Trennungen, einschließlich der aktuellen.Rob, ein Plattenladenbesitzer und zwanghafter Listenhersteller, berichtet über seine fünf erinnerungswürdigsten Trennungen, einschließlich der aktuellen.
- Nominiert für 1 BAFTA Award
- 3 Gewinne & 22 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesJohn Cusack and the screenwriters wrote the script with Jack Black in mind for the role of Barry. He nearly turned the role down, but reconsidered.
- Patzer"Janie Jones" by The Clash is listed as a "side one, track one." While it is indeed the first track on The Clash's British debut album, and the book was set in England, the film was moved to the USA, where the album started with "Clash City Rockers." But as record geeks, they would have been familiar with the British album as well, and could well have regarded it as the true debut album.
- Zitate
[first lines]
Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
- Crazy CreditsCatherine Zeta Jones is only credited in the final cast list and not in main credits
- Alternative VersionenBeverly D'Angelo appears as a woman attempting to sell her husband's vintage record collection to John Cusack's character. The scene was deleted but included with several others on the DVD release.
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Early Line: The Academy Awards (2000)
- SoundtracksYou're Gonna Miss Me
Written by Roky Erickson
Performed by 13th Floor Elevators (as The Thirteenth Floor Elevators)
Courtesy of Charly Licensing APS
By Arrangement with Celebrity Licensing Inc.
Cusack plays Rob, the neurotic owner of a record store that is far from prosperous. His employees are the timid Dick (Todd Louiso) and the far more brash Barry (Jack Black, who walks away with the film). After his longtime girlfriend Laura (charming Danish actress Iben Hjejle) dumps him for another man, it forces him to take stock and reflect on the major relationships - and break-ups - of his life.
Cusack is typically engaging, although this viewer could have done without that over-used device of having the main character directly address the camera. The film itself, despite being a little overlong, has some good laughs. I cracked up when Rob fantasized possible reactions to the annoying Ian (an amusing Tim Robbins), including a scenario of him, Barry, and Dick beating the almighty hell out of him.
Some intelligent and pointed dialogue is brought to life by this talented cast, with a steady parade of lovely ladies (Lisa Bonet, Catherine Zeta-Jones, Lili Taylor, Joelle Carter) as the women who have caught Robs' eyes over the years. Rob himself is not too sympathetic for much of the running time, but then, that is the whole point as it takes a while to pinpoint himself as a common denominator, and have his eventual epiphany.
Nice cameo by rock star Bruce Springsteen, too.
Seven out of 10.
- Hey_Sweden
- 25. Nov. 2019
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Alta fidelidad
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 27.287.137 $
- Eröffnungswochenende in den USA und in Kanada
- 6.429.107 $
- 2. Apr. 2000
- Weltweiter Bruttoertrag
- 47.126.295 $
- Laufzeit1 Stunde 53 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1