Ein exzentrischer Journalist und sein psychopathischer Anwalt reisen für eine Reihe psychedelischer Trips nach Las Vegas.Ein exzentrischer Journalist und sein psychopathischer Anwalt reisen für eine Reihe psychedelischer Trips nach Las Vegas.Ein exzentrischer Journalist und sein psychopathischer Anwalt reisen für eine Reihe psychedelischer Trips nach Las Vegas.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Brian Le Baron
- Parking Attendant
- (as Brian LeBaron)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- PatzerDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Zitate
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Crazy CreditsThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Alternative VersionenThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- VerbindungenEdited from Vegas (1978)
- SoundtracksMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
Ausgewählte Rezension
The `unflimable' novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream
Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.
Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').
The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.
Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').
The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
- bob the moo
- 31. März 2003
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Fear and Loathing in Las Vegas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.680.275 $
- Eröffnungswochenende in den USA und in Kanada
- 3.338.590 $
- 24. Mai 1998
- Weltweiter Bruttoertrag
- 10.680.275 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
What is the streaming release date of Angst und Schrecken in Las Vegas (1998) in Australia?
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