Man on the Moon is one of the most heart-felt endeavors I've ever seen on film. With each frame, you can feel how much the project means personally to all involved, especially to star Jim Carrey and producer Bob Zmuda. Although personal adoration for the subject of one's movie does not always translate into a film that audience members will identify with, Man on the Moon succeeds brilliantly. Between Milos Forman's unique directing style, the actors' performances, and Scott Alexander and Larry Karaszewski's writing, the film is able to simultaneously make you a member in one of Andy Kaufman's audiences, experiencing both joy and frustration at his antics, and a close friend who sees, or thinks they see, the Andy Kaufman behind the masks. Just as Karaszewski and Alexander did with the Ed Wood or Larry Flint biopicks, they challenge our concept of what it means to be successful by giving dignity to to the seeming misfits of our society. However, a biopick like Man on the Moon succeeds or fails mainly on the grounds of the lead performance. Jim Carrey proved his dramatic talent last year with a performance in The Truman Show that should have translated into an Oscar, and this year he again gives what will likely be the best performance of the year. Carrey approaches the role of Kaufman with a level of professionalism and enthusiasm far greater than that displayed by many of today's acclaimed actors. Carrey adopts Kaufman's mannerisms flawlessly and becomes Kaufman so convincingly that you forget Carrey is acting. The film's other stars, in particular Paul Giamatti, Courtney Love, and Danny DeVito, all turn in excellent performances as well.
Man on the Moon is both inspiring and thought provoking - a must see.
