Füge eine Handlung in deiner Sprache hinzuTwo sisters separated in childhood reunite years later as servants at a household in France. Their happiness to be reunited spirals into an incestuous relationship.Two sisters separated in childhood reunite years later as servants at a household in France. Their happiness to be reunited spirals into an incestuous relationship.Two sisters separated in childhood reunite years later as servants at a household in France. Their happiness to be reunited spirals into an incestuous relationship.
- Auszeichnungen
- 7 Gewinne & 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesBased on the play "My Sister In This House", by Wendy Kesselman, which was loosely based on the true story of the Papin sisters.
- Zitate
Lea Papin: Tell me a story.
Christine Papin: Oh.
Lea Papin: Just one before we go down.
Christine Papin: Which one?
Lea Papin: Um, when I was little.
Christine Papin: You're still little.
Lea Papin: No, I mean really little. The one with the horse.
Christine Papin: Don't you ever get tired of it?
Lea Papin: No, tell me.
Christine Papin: When you were just a tiny thing, mama sent me out one day to get bread. You came with me the way you always did. And as we were walking, you let go of my hand and ran into the street.
Lea Papin: Tell it slower. you're telling it too fast.
Christine Papin: It was a long narrow street. You remember... on a hill. At the top of the hill, a horse and carriage was galloping down, right towards you. I ran into the street. I pulled you across. I pushed you down in the gutter with me... what a noise when the horse galloped by. And everyone was screaming. And when we stood up, we were both bleeding. But it was the same wound. It started on my arm and went down across your wrist. And look, we have it still.
Lea Papin: And mama, what did she say?
Christine Papin: Mama, you know how she gets. She screamed at us.
Lea Papin: And then what happened?
Christine Papin: Well, then there was the gypsy. Mad Marguerite they used to call her.
Lea Papin: And what did she say?
Christine Papin: You... you know it so well.
Lea Papin: No, tell me again, Christine. Tell me again.
Christine Papin: They're bound for life, Mad Marguerite said... bound in blood.
- Alternative VersionenThere may be another version of this movie, as both justwatch.com and themoviedb.org have a listed Runtime of 1h 44m.
- VerbindungenVersion of Stuepigerne (1962)
But there are still parts of world where people are not so used to big events, still live in their small local community and if something shatters it they still ask themselves - how could it have happened? 'Sister, My Sister' analyzes a crime, a murder that today wouldn't be heard of further than district or maybe a (smaller) state border. But back in 30's, more than for cruelty itself, people were shocked because of circumstances, it was committed where no one could expect it. Two girls raised by nuns, working for a respected family that never have complained, in fact was even proud how good servants they had, suddenly murdered mother and daughter they've been working for. Being a drama and not a crime movie, this film doesn't let us know something so drastically would happen till the very end. In ordinary crime movie we would see a murder scene in opening sequences and than some detective or forensic would investigate till, at the end of the movie, a whole puzzle could be revealed and a long flash-back would show us what preceded the crime. In this movie, however, we see everything grow, develop, boil in a pot with no valve to let any steam out. Four woman with hidden or undeveloped emotions fail to build any human relations. Mother and daughter just live under the same roof, in same room, but don't contact further than aristocratic rules permit. Daughter has nothing to do with servants, though she is a bit attracted to younger sister. Mother won't talk to them unless a special occasion occurs. Even when not pleased with their work she just shows with finger in a glove what has to be done better. In a great scene she talks to her daughter for a few minutes what should be done or corrected, not a single word addressed to servants who were standing next to her. Sisters, suffering from lack of love and emotions till early childhood, rejected first by mother, than by nuns, and having no chances to meet anyone in such environment, turned their emotions to each other crossing a line of sister's love. This relationship leads them to break the last connections with family, and hide in a shell of their room.
Three interesting, different characters in a hermetically closed hypocritical house. Nothing should be changed, such a world must stay calm for centuries, or otherwise it loses its position in its hypocritical community. The trouble is that four characters are credited, and one of them, Isabelle, the daughter, is a weak corner of a square. Nothing interesting, just a few scenes and lines, she is there like a piece of furniture. But, then, maybe it's not a failure in a script, but one more strong accusation against such a society. She was the only one born in the house. She had no chance to become different from a stylistic chair or a piece of expensive tea set. She had no chance to become a person. And that is the most terrible thing in forming of a human being. Children raised to be objects of an exhibition, praised by other same-type parents who expect praises for same-type children they have.
Lea and Christine had emotions deprived throughout their childhood. In this environment their emotions became free but uncontrolled, in a wrong but only possible way. In forbidden relations and in crime. Their emotions, as Paul Simon wrote, "echoed in the wells of silence". And this echo was too strong, again as all the years before. Mother didn't listen. Nuns turned their back. This echo committed the murder.
This is the best all-woman movie I've ever seen. Only one man I can think of is capable of doing this type of movies. If you like Chabrol, don't miss this one: his legacy lives. If you're an action-movie lover suffering from insomnia, buy this one instead of Valium. It's healthier. You won't get addicted.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Mi querida hermana
- Drehorte
- Amiens, Somme, Frankreich(exterior scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 217.881 $
- Eröffnungswochenende in den USA und in Kanada
- 17.907 $
- 25. Juni 1995
- Weltweiter Bruttoertrag
- 217.881 $