Trust - Blindes Vertrauen

Originaltitel: Trust

1990
12
1 Std. 47 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Nachdem sie aus ihrem Haus geworfen wurde, trifft Maria auf eine verheiratete Frau, die sich darüber beklagt, keine Kinder zu haben.Nachdem sie aus ihrem Haus geworfen wurde, trifft Maria auf eine verheiratete Frau, die sich darüber beklagt, keine Kinder zu haben.Nachdem sie aus ihrem Haus geworfen wurde, trifft Maria auf eine verheiratete Frau, die sich darüber beklagt, keine Kinder zu haben.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,4/10

12.634

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 4 Gewinne & 2 Nominierungen insgesamt

Wissenswertes
In an interview, Hal Hartley once explained that he made the movie on the spur of the moment because he wanted to work with Shelly again immediately after making Verdacht auf Liebe (1989), so he had very little money and very little time. The movie was shot in 11 days. The reason he could do that, he said, was because so much of the direction was implied in the dialogue. The dialogue pretty much told the actors what to do.

Zitate
Maria: Not because you love me or anything like that?
Matthew: I respect and admire you.
Maria: Is that love?
Matthew: No, that's respect and admiration.

Verbindungen
Featured in Siskel & Ebert & the Movies: V.I. Warshawski/Trust/Life Stinks/Mobsters/Slacker (1991)

Soundtracks
Walk Away
Written by Hub Moore
Performed by The Great Outdoors

Benutzerrezensionen68

Ausgewählte Rezension

7/10

This is What You Can Make in 11 Days

When high school dropout Maria Coughlin (Adrienne Shelly) announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless.

Martin Donovan really excels here and represents a type of person some of us know all too well. The man who rebels against the world, but in a sort of passive-aggressive, nihilistic fashion. It is interesting that this film came out in 1990, as the 90s were very much a nihilistic decade for film and music, and the character of Matthew Slaughter sort of anticipates that.

Hal Hartley may not be as well known as Jim Jarmusch or (early) Richard Linklater, but he has that same independent vibe. He has done here for Long Island what Linklater did for Austin.