Rückkehr eines Toten

Originaltitel: Netchaïev est de retour

1991
R
1 Std. 50 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Füge eine Handlung in deiner Sprache hinzuFreshly landed in Paris, Daniel Laurençon, who calls himself Netchaïev, who was believed dead five years ago in Gibraltar, warns a commercial center of a bomb attack a few minutes before its... Alles lesenFreshly landed in Paris, Daniel Laurençon, who calls himself Netchaïev, who was believed dead five years ago in Gibraltar, warns a commercial center of a bomb attack a few minutes before its completion.Freshly landed in Paris, Daniel Laurençon, who calls himself Netchaïev, who was believed dead five years ago in Gibraltar, warns a commercial center of a bomb attack a few minutes before its completion.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,2/10

181

IHRE BEWERTUNG

3Benutzerrezensionen

Siehe Produktionsinformationen bei IMDbPro

Fotos20

+ 15

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Handlung

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Wissenswertes
Some crucial scenes were filmed on the street very near the Père Lachaise Cemetery where, among many other notables, Jim Morrison of The Doors is buried.

Soundtracks
Rigoletto
Written by Giuseppe Verdi
With the Coro dell'Accademia Nazionale di Santa Cecilia and Orchestra dell'Accademia Nazionale di Santa Cecilia
(Collectively as Coro e Orchestra dell'Academia Nazionale di Santa Cecilia)
Giuseppe Sinopoli, director
Solos: Brigitte Fassbaender - Neil Shicoff
CP: Philipps Classics

Benutzerrezensionen3

Rezension

Ausgewählte Rezension

Back with a vengeance

This is Yves Montand's next-to -last film and it is a muddled affair:based on a Jorge Semprun novel,the movie is a hotchpotch ,a dreadfully boring story :Yves Montand is at the head of the DST (=MI5 -brit- =CIA -US-)and he has got big problems with his son (Vincent Lindon)who was once a revolutionary (shades of May 68 )and now tries to redeem himself by thwarting the terrorists' ominous plans;his former mates (including Miou-Miou) have become notables and some feel nostalgic for the years when they fought against the establishment. (that always wins in the end,as everybody knows).

Vincent Lindon ,wearing glasses,gives a wooden performance ,and it is obvious he is much better today:he is deeply moving in "welcome" for instance.Montand does not seem to care much for his prodigal son.