IMDb-BEWERTUNG
6,0/10
1603
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuRomance about Simon Donnadieu and his decision to leave his ever-loving wife Rachel.Romance about Simon Donnadieu and his decision to leave his ever-loving wife Rachel.Romance about Simon Donnadieu and his decision to leave his ever-loving wife Rachel.
- Auszeichnungen
- 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- Zitate
Mechanic: You should say: 'Mr' and 'Mrs." No first names. We're not characters in a novel.
Abraham Klimt: Maybe you are.
- VerbindungenEdited into Geschichte(n) des Kinos: Une vague nouvelle (1999)
Ausgewählte Rezension
A romance about Simon Donnadieu (Gerard Depardieu) and his decision to leave his ever-loving wife Rachel (Laurence Masliah).
This film is inspired by the Greek legend of Alcmene and Amphitryon and attempts to show the desire of a god to experience the truth of human desire, suffering and pleasure. The original scenario began with God riding a train through France and Switzerland, observing all the battles of humanity through the window. This sequence required expensive special effects and Godard finally gave up on the idea after visiting a company that demonstrated for him the effects they achieved for Jean-Pierre Jeunet's "Delicatessen".
What strikes me the most about this film is how Godard brought back that creepy voice from "Alphaville". Though there is no clear connection between the two films, I have to wonder why he chose to use that voice. Personally, I find it very unsettling and it jolts a viewer out of the film... which maybe the point.
This film is inspired by the Greek legend of Alcmene and Amphitryon and attempts to show the desire of a god to experience the truth of human desire, suffering and pleasure. The original scenario began with God riding a train through France and Switzerland, observing all the battles of humanity through the window. This sequence required expensive special effects and Godard finally gave up on the idea after visiting a company that demonstrated for him the effects they achieved for Jean-Pierre Jeunet's "Delicatessen".
What strikes me the most about this film is how Godard brought back that creepy voice from "Alphaville". Though there is no clear connection between the two films, I have to wonder why he chose to use that voice. Personally, I find it very unsettling and it jolts a viewer out of the film... which maybe the point.
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