Schwarze und weiße Basketball-Junggesellen schließen sich zusammen, um ihre Chancen auf Geldgewinne auf den Straßenplätzen und in einem Basketballturnier zu verdoppeln.Schwarze und weiße Basketball-Junggesellen schließen sich zusammen, um ihre Chancen auf Geldgewinne auf den Straßenplätzen und in einem Basketballturnier zu verdoppeln.Schwarze und weiße Basketball-Junggesellen schließen sich zusammen, um ihre Chancen auf Geldgewinne auf den Straßenplätzen und in einem Basketballturnier zu verdoppeln.
- Auszeichnungen
- 6 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen Woody Harrelson was making this movie, the producers hired Bob Lanier, the retired Detroit Pistons' center, as a basketball coach. Harrelson, who had played some basketball in college, was bragging to Lanier about what a great player he was. Lanier invited Harrelson to play a little one-on-one. Harrelson later described it as "the most embarrassing fifteen minutes of my life."
- PatzerBefore the second hustle game in Watts, Sidney declares the game to be "make it take it", meaning a team retains possession of the ball after scoring a basket. However, after Billy makes the first shot of the game, their opponents (Robert and Zeke) take possession of the ball.
- Zitate
Sidney Deane: [to Junior, after losing his borrowed money to Billy in a shooting challenge on the Venice Beach basketball courts] Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bahamian diet-drinking ass up. Leave me alone!
- Crazy CreditsIn the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style.
- Alternative VersionenSome U.S. video versions are three minutes longer.
- VerbindungenEdited into White Men Can't Jump: Deleted Scene (2000)
- SoundtracksMood Indigo
Written by Duke Ellington, Barney Bigard and Irving Mills
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
- hitchcockthelegend
- 14. Jan. 2009
- Permalink
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 76.253.806 $
- Eröffnungswochenende in den USA und in Kanada
- 14.711.124 $
- 29. März 1992
- Weltweiter Bruttoertrag
- 90.753.806 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1