IMDb-BEWERTUNG
6,5/10
4666
IHRE BEWERTUNG
Die Geschichte eines Fotografen aus den 1940er Jahren, der sich auf Verbrechen spezialisiert hat und erst jetzt damit beginnt.Die Geschichte eines Fotografen aus den 1940er Jahren, der sich auf Verbrechen spezialisiert hat und erst jetzt damit beginnt.Die Geschichte eines Fotografen aus den 1940er Jahren, der sich auf Verbrechen spezialisiert hat und erst jetzt damit beginnt.
- Auszeichnungen
- 1 Nominierung insgesamt
Christian Stolte
- Ambulance Attendant
- (as Christian Stolti)
Gian-Carlo Scandiuzzi
- Maitre D' - Cafe Society
- (as Gian-Carlo Scanduzzi)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe character of Bernzy was inspired by real-life photographer Arthur 'Weegee' Fellig, and some of Bernzy's photos are in fact Fellig's.
- PatzerWhen Kay leafs through Bernstein' photo album, there is picture of a New York City taxi with a rectangular roof light which displays not only the word "Taxi" but also whether the taxi is off duty and its medallion number. Those signs did not come into service until the 1960s. In the 1940s, when the movie is set, New York City taxis used a variety of curved roof lights used in most other cities.
- Zitate
Kay Levitz: It doesn't matter what people say unless you believe them.
- SoundtracksYou Can't Say No to a Soldier
(1942)
Music by Harry Warren
Lyrics by Mack Gordon
Performed by Sammy Kaye and His Orchestra
Courtesy of Sandy Hook Records
Ausgewählte Rezension
I appreciate that this film was more than a homage to film noir but actually advanced the genre to include populist themes and even women's issues. In many ways, this is film brun because so much effort is made to evoke the brown tones of the time which brought a warmer, less paranoid tone to the proceedings. Brown can be earthy or rich. Men wear brown suits and hats and chew on brown cigars. The nightclub is paneled in rich brown wood. Kay Levitz has brown hair. The script and direction showed a love for the time but a cynicism, too, of government collusion with organized crime to make money at the expense of the fighting men and the citizens during a time of war. I enjoyed the relationships between the characters and was touched by the pan of the cheering crowd of real people at the end, not usually seen in noir. To add to the comments about the actors: I also enjoyed Jerry Adler as Bernzini's friend and was intrigued by Jared Harris's Danny the Doorman.
- Noir-It-All
- 2. Juni 2003
- Permalink
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Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.067.917 $
- Eröffnungswochenende in den USA und in Kanada
- 1.139.825 $
- 18. Okt. 1992
- Weltweiter Bruttoertrag
- 3.067.917 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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