IMDb-BEWERTUNG
6,6/10
7751
IHRE BEWERTUNG
Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.
- Auszeichnungen
- 5 Nominierungen insgesamt
Hayley Taylor
- 11 year-old Claudia
- (as Hayley Taylor-Block)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis is the final film of both Robert Webber and Karl Malden.
- PatzerAt the end of the movie, Claudia been released and is walking down the street in her hospital gown, laughing at passerby. She has only been judged competent to stand trial, not innocent. She should be in lockup at Riker's Island or The Tombs. Also, even if they had released her, she would have had her street clothes returned.
WRONG: While there is clearly some artistic license in having Claudia walk out in her hospital gown, the judge clearly stated that he was releasing her on her own recognizance until the trial so she wouldn't have been locked up in Riker's Island, The Tombs, Devil's Island, Arkham Asylum or anywhere else for that matter.
- Zitate
Claudia Draper: Now, you talk to me and pretend I'm sane, okay?
Aaron Levinsky: Okay.
Claudia Draper: And I'll do the same for you.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Oscar Nomination Surprises for 1987 (1988)
- SoundtracksHere We Are At Last
Music by Barbra Streisand
Lyrics by Richard Baskin
Arranged & played by Randy Waldman
(Bar Music)
Ausgewählte Rezension
Badly neglected by both audiences and critics at the time of it's original release, NUTS is a film that is ripe for reevaluation. Based on Tom Toplor's 1981 courtroom play, NUTS is definitely a dialogue-based film with little Hollywood flashiness. Though extremely well-written (by Toplor, adapting his own work with Darryl Ponicsan and Alvin Sargent) and sharply staged and directed by veteran Martin Ritt, it is the cast whom is really responsible bringing NUTS to life. Barbra Streisand gives an absolutely bravura performance that should have earned her an Oscar nomination. Alternately hilarious and frightening, Streisand is always mesmerizing as she delves so far into character.
Richard Dreyfess is nothing less than Streisand's equal as her public defender. He too was robbed of an Oscar nomination. The supporting cast is a top-notch ensemble of professional character actors (Maureen Stapleton, Eli Wallach, Robert Webber, James Whitmore, and Karl Malden), all of whom work their craft flawlessly. NUTS' screenplay does indulge in the predictability of some of the typical courtroom-plot conventions a little too often, but Toplor's absorbing script still deserves high praise for it's fascinating exploration of what constitutes as normality and whether or not the insane should be required to receive treatment. NUTS isn't going to win over any fans of 3-cuts-per-second action films, but it will leave lovers of thought-provoking, expertly-acted dramas fascinated.
Richard Dreyfess is nothing less than Streisand's equal as her public defender. He too was robbed of an Oscar nomination. The supporting cast is a top-notch ensemble of professional character actors (Maureen Stapleton, Eli Wallach, Robert Webber, James Whitmore, and Karl Malden), all of whom work their craft flawlessly. NUTS' screenplay does indulge in the predictability of some of the typical courtroom-plot conventions a little too often, but Toplor's absorbing script still deserves high praise for it's fascinating exploration of what constitutes as normality and whether or not the insane should be required to receive treatment. NUTS isn't going to win over any fans of 3-cuts-per-second action films, but it will leave lovers of thought-provoking, expertly-acted dramas fascinated.
Top-Auswahl
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.950.002 $
- Eröffnungswochenende in den USA und in Kanada
- 4.606.083 $
- 22. Nov. 1987
- Weltweiter Bruttoertrag
- 30.950.002 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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