IMDb-BEWERTUNG
6,6/10
7751
IHRE BEWERTUNG
Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.
- Auszeichnungen
- 5 Nominierungen insgesamt
Hayley Taylor
- 11 year-old Claudia
- (as Hayley Taylor-Block)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis is the final film of both Robert Webber and Karl Malden.
- PatzerAt the end of the movie, Claudia been released and is walking down the street in her hospital gown, laughing at passerby. She has only been judged competent to stand trial, not innocent. She should be in lockup at Riker's Island or The Tombs. Also, even if they had released her, she would have had her street clothes returned.
WRONG: While there is clearly some artistic license in having Claudia walk out in her hospital gown, the judge clearly stated that he was releasing her on her own recognizance until the trial so she wouldn't have been locked up in Riker's Island, The Tombs, Devil's Island, Arkham Asylum or anywhere else for that matter.
- Zitate
Claudia Draper: Now, you talk to me and pretend I'm sane, okay?
Aaron Levinsky: Okay.
Claudia Draper: And I'll do the same for you.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Oscar Nomination Surprises for 1987 (1988)
- SoundtracksHere We Are At Last
Music by Barbra Streisand
Lyrics by Richard Baskin
Arranged & played by Randy Waldman
(Bar Music)
Ausgewählte Rezension
Based on Tom Topors's off broadway play, NUTS is a highly charged drama that raises some uneasy questions. NUTS opened in late 1987 to little hype and mixed reviews.
This is a film that deserves to have a second life on video. While the court room plot devices are predictable, the film raises some important issues and questions. Questions like, "What is normal?" and "Does the law have the right to force help upon those who don't want it?"
What really makes this film worth watching though, is Barbra Strisand's bravura performance in the lead. I cannot believe she failed to receive an Oscar for her work here, it's crime that she wasn't at least nominated. Director Martin Ritt keep the film going at a perfect pace and also gets strong supporting performances from Richard Dreyfss and Maureen Stapleton.
This is a film that deserves more attention then it originally received, it is honest, though-provoking, and features a brilliant performance from Streisand.
My score for this excellent film: 9/10!
This is a film that deserves to have a second life on video. While the court room plot devices are predictable, the film raises some important issues and questions. Questions like, "What is normal?" and "Does the law have the right to force help upon those who don't want it?"
What really makes this film worth watching though, is Barbra Strisand's bravura performance in the lead. I cannot believe she failed to receive an Oscar for her work here, it's crime that she wasn't at least nominated. Director Martin Ritt keep the film going at a perfect pace and also gets strong supporting performances from Richard Dreyfss and Maureen Stapleton.
This is a film that deserves more attention then it originally received, it is honest, though-provoking, and features a brilliant performance from Streisand.
My score for this excellent film: 9/10!
Top-Auswahl
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.950.002 $
- Eröffnungswochenende in den USA und in Kanada
- 4.606.083 $
- 22. Nov. 1987
- Weltweiter Bruttoertrag
- 30.950.002 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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