Der One-Night-Stand eines verheirateten Mannes kommt zurück, um ihn zu verfolgen, als dieser Liebhaber beginnt, ihn und seine Familie zu verfolgen.Der One-Night-Stand eines verheirateten Mannes kommt zurück, um ihn zu verfolgen, als dieser Liebhaber beginnt, ihn und seine Familie zu verfolgen.Der One-Night-Stand eines verheirateten Mannes kommt zurück, um ihn zu verfolgen, als dieser Liebhaber beginnt, ihn und seine Familie zu verfolgen.
- Für 6 Oscars nominiert
- 10 Gewinne & 24 Nominierungen insgesamt
Ellen Latzen
- Ellen Gallagher
- (as Ellen Hamilton Latzen)
Sam Coppola
- Fuselli
- (as Sam J. Coppola)
Handlung
WUSSTEST DU SCHON:
- WissenswertesGlenn Close still has the knife she used in the movie hanging in her kitchen, stating: "It's beautiful, made of wood and paper. It's a work of art! And it's nice for our guests to see it. It lets them know they can't stay forever."
- PatzerWhile Dan is in his attic study listening to a tape, Beth can be seen reflected in the window, waiting just out of shot for her cue.
- Zitate
Alex Forrest: [to Dan] Well, what am I supposed to do? You won't answer my calls, you change your number. I mean, I'm not gonna be ignored, Dan!
- Crazy CreditsBarbara Harris is sometimes credited under the name Barbara Iley. In the final credits here, under 'Party Guests,' she is credited under both names.
- Alternative VersionenIn the network version shown on TNT in the scene where Alex phones Dan at 2:13 a.m., there is additional dialogue between Dan and Beth after Dan hangs up the phone that is not in the theatrical/DVD version. Beth asks, "Who in the hell was that?" Dan says that it was a client calling and that this happens when you're a lawyer (being called at odd hours). Beth says that it's the middle of the night, still wondering why someone would call at 2:15 a.m. Dan justifies this by saying it's only 11:00 or so in L.A.
- SoundtracksSelections from Puccini's Madama Butterfly
Music by Giacomo Puccini (as Puccini)
Performed by Mirella Freni, Luciano Pavarotti, and Christa Ludwig
Conducted by Herbert von Karajan (as Herbert Von Karajan)
Courtesy of London Records, a division of Polygram Classics, Inc.
Ausgewählte Rezension
Had it not been for the performance of Glenn Close, this movie wouldn't really be worth the effort of watching. She shines in an excellent performance as Alex Forest, the spurned lover of Dan Gallagher (Michael Douglas), whose obsession with their relationship becomes progressively more violent. Close manages to play Forest as the successful business type, the emotionally wounded woman and the deranged psychopath, and she makes every aspect of Alex believable. Michael Douglas is always competent, and is no less here than anywhere else, but his portrayal of Gallagher to me seemed a bit shallow and unconvincing.
The story itself (of the spurned woman seeking revenge) is hardly original, and even the twists and turns seem typical and predictable, and more than a few things in the story made little sense. First, given that Gallagher seemed to have a good relationship with his wife Beth (Ann Archer) and a happy family life as the father of Ellen (Ellen Hamilton Latzen) it seemed to me that he fell too quickly and too easily under the spell of Alex. Their relationship didn't come across as believable to me. Then, setting up the last confrontation of the movie, Gallagher is shown locking the doors to his house, with his body language suggesting that he had forgotten to lock them before. What? After everything he and his family have been through at Alex's hands, he didn't think to keep the doors locked at all times?! How did this guy get through law school? Finally, the ending was predictable, and for about the 914th time in the movies we see a villain who seems to be dead come back to life. There's no shock to this anymore, although I suppose when "Fatal Attraction" was actually released (in 1987) it was actually only the 674th time this had happened. In short, there really wasn't much imagination at the end.
This movie is all right as a way to spend a lazy Sunday afternoon, but except for a few scenes (the thought of the boiling pot in the kitchen - and its contents - will remain in your mind after the movie's over) this is hardly edge of your seat stuff. Watch it for the excellent performance by Close, though.
6/10
The story itself (of the spurned woman seeking revenge) is hardly original, and even the twists and turns seem typical and predictable, and more than a few things in the story made little sense. First, given that Gallagher seemed to have a good relationship with his wife Beth (Ann Archer) and a happy family life as the father of Ellen (Ellen Hamilton Latzen) it seemed to me that he fell too quickly and too easily under the spell of Alex. Their relationship didn't come across as believable to me. Then, setting up the last confrontation of the movie, Gallagher is shown locking the doors to his house, with his body language suggesting that he had forgotten to lock them before. What? After everything he and his family have been through at Alex's hands, he didn't think to keep the doors locked at all times?! How did this guy get through law school? Finally, the ending was predictable, and for about the 914th time in the movies we see a villain who seems to be dead come back to life. There's no shock to this anymore, although I suppose when "Fatal Attraction" was actually released (in 1987) it was actually only the 674th time this had happened. In short, there really wasn't much imagination at the end.
This movie is all right as a way to spend a lazy Sunday afternoon, but except for a few scenes (the thought of the boiling pot in the kitchen - and its contents - will remain in your mind after the movie's over) this is hardly edge of your seat stuff. Watch it for the excellent performance by Close, though.
6/10
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Atracción fatal
- Drehorte
- 135 Mianus River Road, Bedford, New York, USA(exteriors: Gallagher country-house)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 14.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 156.645.693 $
- Eröffnungswochenende in den USA und in Kanada
- 7.602.740 $
- 20. Sept. 1987
- Weltweiter Bruttoertrag
- 320.145.693 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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