IMDb-BEWERTUNG
7,8/10
22.801
IHRE BEWERTUNG
Eine strenge Religionsgemeinschaft in einem dänischen Dorf nimmt einen französischen Flüchtling aus dem französisch-preußischen Krieg als Diener der Töchter des verstorbenen Pfarrers auf.Eine strenge Religionsgemeinschaft in einem dänischen Dorf nimmt einen französischen Flüchtling aus dem französisch-preußischen Krieg als Diener der Töchter des verstorbenen Pfarrers auf.Eine strenge Religionsgemeinschaft in einem dänischen Dorf nimmt einen französischen Flüchtling aus dem französisch-preußischen Krieg als Diener der Töchter des verstorbenen Pfarrers auf.
- 1 Oscar gewonnen
- 11 Gewinne & 8 Nominierungen insgesamt
Stéphane Audran
- Babette Hersant
- (as Stephane Audran)
Jean-Philippe Lafont
- Achille Papin
- (as Jean Philippe Lafont)
Ghita Nørby
- Narrator
- (Synchronisation)
Asta Esper Hagen Andersen
- Anna
- (as Asta Esper Andersen)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFirst Danish movie to win an Academy Award for best foreign language film.
- PatzerIn 1871 Babette pays with skilling, which was the currency used at that time; 14 years later, Babette still uses skilling, but Denmark changed the currency in 1875 from skilling to kroner and orer.
- VerbindungenEdited into Eventyret om dansk film 18: Nye perspektiver - 1970-1987 (1996)
- SoundtracksWaltz No. 15 in A-flat major Op. 39
(arranged for orchestra) (uncredited)
Written by Johannes Brahms
Played during the dance hosted by the Royal family
Ausgewählte Rezension
Flawlessly directed, written, performed, and filmed, this quiet and unpretentious Danish film is an example of cinema at its best, and if a person exists who can watch BABETTE'S FEAST without being touched at a very fundamental level, they are a person I do not care to know.
The story is quite simple. In the 1800s, two elderly maiden ladies (Birgitte Federspiel and Bodil Kjer) reside in remote Jutland, where they have sacrificed their lives, romantic possibilities, and personal happiness in order to continue their long-dead father's religious ministry to the small flock he served. One of the women's youthful admirers sends to them a Frenchwoman, Babette (Stéphane Audran), whose husband and son have been killed in France and who has fled her homeland lest she meet the same fate. Although they do not really require her services, the sisters engage her as maid and cook--and as the years pass her cleverness and tireless efforts on their behalf enables the aging congregation to remain together and the sisters to live in more comfort than they had imagined; indeed, the entire village admires and depends upon her.
One day, however, Babette receives a letter: she has won a lottery and is now, by village standards, a wealthy woman. Knowing that her new wealth will mean her return to France, the sisters grant her wish that she be allowed to prepare a truly French meal for them and the members of their tiny congregation. The meal and the evening it is served is indeed a night to remember--but not for reasons that might be expected, for Babette's feast proves to be food for both body and soul, and is ultimately her gift of love to the women who took her in and the villagers who have been so kind to her.
The film is extraordinary in every way, meticulous in detail yet not overpowering in its presentation of them. As the film progresses, we come to love the characters in both their simple devotion to God and their all-too-human frailties, and the scenes in which Babette prepares her feast and in which the meal is consumed are powerful, beautiful, and incredibly memorable. There have been several films that have used food as a metaphor for love, but none approach the simple artistry and beauty of BABETTE'S FEAST, which reminds us of all the good things about humanity and which proves food for both body and soul. Highly, highly recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
The story is quite simple. In the 1800s, two elderly maiden ladies (Birgitte Federspiel and Bodil Kjer) reside in remote Jutland, where they have sacrificed their lives, romantic possibilities, and personal happiness in order to continue their long-dead father's religious ministry to the small flock he served. One of the women's youthful admirers sends to them a Frenchwoman, Babette (Stéphane Audran), whose husband and son have been killed in France and who has fled her homeland lest she meet the same fate. Although they do not really require her services, the sisters engage her as maid and cook--and as the years pass her cleverness and tireless efforts on their behalf enables the aging congregation to remain together and the sisters to live in more comfort than they had imagined; indeed, the entire village admires and depends upon her.
One day, however, Babette receives a letter: she has won a lottery and is now, by village standards, a wealthy woman. Knowing that her new wealth will mean her return to France, the sisters grant her wish that she be allowed to prepare a truly French meal for them and the members of their tiny congregation. The meal and the evening it is served is indeed a night to remember--but not for reasons that might be expected, for Babette's feast proves to be food for both body and soul, and is ultimately her gift of love to the women who took her in and the villagers who have been so kind to her.
The film is extraordinary in every way, meticulous in detail yet not overpowering in its presentation of them. As the film progresses, we come to love the characters in both their simple devotion to God and their all-too-human frailties, and the scenes in which Babette prepares her feast and in which the meal is consumed are powerful, beautiful, and incredibly memorable. There have been several films that have used food as a metaphor for love, but none approach the simple artistry and beauty of BABETTE'S FEAST, which reminds us of all the good things about humanity and which proves food for both body and soul. Highly, highly recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El festín de Babette
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 4.398.938 $
- Weltweiter Bruttoertrag
- 4.637.920 $
- Laufzeit1 Stunde 43 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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