"Der ehemalige ""Green Beret"" Soldat John Rambo wird von einem tyrannischen Sheriff und seinen Stellvertretern in die Berge einer kleinen Stadt verfolgt und dazu genötigt, mit seinen Kampfk... Alles lesen"Der ehemalige ""Green Beret"" Soldat John Rambo wird von einem tyrannischen Sheriff und seinen Stellvertretern in die Berge einer kleinen Stadt verfolgt und dazu genötigt, mit seinen Kampfkünsten zu überleben.""Der ehemalige ""Green Beret"" Soldat John Rambo wird von einem tyrannischen Sheriff und seinen Stellvertretern in die Berge einer kleinen Stadt verfolgt und dazu genötigt, mit seinen Kampfkünsten zu überleben."
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Shingleton
- (as David Crowley)
- Preston
- (as Don Mackay)
- Pilot
- (as Chuck Tamburro)
- Radio Operator
- (as Craig Wright Huston)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe large piece of rotten canvas that Rambo finds in the woods and cuts into a makeshift coat was in fact not a movie prop, but a real piece of rotten canvas found by the film crew during the movie's production. Since there was only one piece, Sylvester Stallone joked about how the canvas became a treasured prop on the set. After filming ended, Stallone kept the rotten canvas and still has it in his possession to this very day.
- PatzerWhen Sheriff Teasle (Brian Dennehy) gets out of his squad car to arrest Rambo, he has a visible twitch in the blinking of his eyes. In an interview, Dennehy related to talk show host Merv Griffin that he took Rambo's knife out of the sheath and then, while handling the knife, accidentally jammed it into his hand, but Dennehy continued with the scene even though the pain was causing his eyes to visibly twitch.
- Zitate
Trautman: [1:24:53] You did everything to make this private war happen. You've done enough damage. This mission is over, Rambo. Do you understand me? This mission is over! Look at them out there! Look at them! If you won't end this now, they will kill you. Is that what you want? It's over Johnny. It's over!
Rambo: Nothing is over! Nothing! You just don't turn it off! It wasn't my war! You asked me, I didn't ask you! And I did what I had to do to win! But somebody wouldn't let us win! And I come back to the world and I see all those maggots at the airport, protesting me, spitting. Calling me baby killer and all kinds of vile crap! Who are they to protest me, huh? Who are they? Unless they've been me and been there and know what the hell they're yelling about!
Trautman: It was a bad time for everyone, Rambo. It's all in the past now.
Rambo: For *you*! For me civilian life is nothing! In the field we had a code of honor, you watch my back, I watch yours. Back here there's nothing!
Trautman: You're the last of an elite group, don't end it like this.
Rambo: Back there I could fly a gunship, I could drive a tank, I was in charge of million dollar equipment, back here I can't even hold a job *parking cars*!
- Alternative VersionenNBC edited 3 minutes from this film for its 1985 network television premiere.
- VerbindungenEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- SoundtracksIt's a Long Road
Music by Jerry Goldsmith
Lyrics by Hal Shaper
Arranged by David Paich and Marty Paich
Produced by Bruce Botnick
Sung by Dan Hill
having said that, this is a film that is often dismissed as a macho action flick with no redeeming feature. these are opinions i would defy.
while the only imagination put into the film seems to be the various ways in which John Rambo can kill people, the basic theme is nevertheless a pretty strong one. this is not meant to be a Fellini-esque commentary on life, the universe, and everything.
the three most important characters in the film are all played by pros. you have Stallone's John Rambo, Dennehy's Sheriff Teasle, and Richard Crenna's Colonal Trautman.
Brian Dennehy hasn't missed a beat in his entire career; he's been a superb character actor since i've been watching movies, and - like Michael Caine - he always puts everything into each performance. his Sheriff Teasle is menacing, bigoted, and protective. he comes across like a man who's marked his territory and won't permit intrusions. i won't say he's brilliant, but he is absolutely believable as a small-town sheriff faced with a situation so far out of his own experience that he cannot figure out why he can't solve the problem.
Crenna is a patriarchial character, such as he often seems to play. he gives the Spec Ops Colonal Trautman enough soul to make him seem human, and enough blood and guts to make him seem like a veteran soldier.
of course, the centrepiece to the film is Sylvester Stallone. Stallone always suffers from the perception engendered by his appearance. he is a somewhat short fellow with a body of bulging unpronoucable muscles, and a sad bassett-hound face that looks like it was designed by someone out of "Oliver Twist."
but the man can flat-out act. he gives John Rambo depth and reality. he comes across as far too fit and far too silent because Rambo is far too fit and far too silent. like his character in "Copland," Stallone is playing a guy who pretty much wants to be left alone and is caught up by a bunch of people around him who are overly enthused by their own status.
while i can understand the dismissal of this film as just a patriotic action sop, i cannot also accept that Stallone does not give a good performance. the man has been characatured; he's an easy target. he's a really built short-guy. but Stallone's intelligence and creativity drove his first film, "Rocky," and neither quality has deserted him since. like Michael Caine, he does seem to take any old lame role offered to him. but he always gets paid, and he always puts everything into his performances.
i'll never campaign for this film to be considered a "great" film, but i think i'll always defend it's star as a guy who works too hard too often to get the such little credit.
i guess the best way i can put it is, i watched "First Blood," and i believed him. i believed Stallone.
last time i checked, that is what an actor is supposed to do.
- bellkenneth
- 22. März 2004
- Permalink
Top-Auswahl
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 47.212.904 $
- Eröffnungswochenende in den USA und in Kanada
- 6.642.005 $
- 24. Okt. 1982
- Weltweiter Bruttoertrag
- 125.212.904 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1