Zwei britische Leichtathleten, einer ein frommer Jude und der andere ein frommer Christ, nehmen an den Olympischen Spielen 1924 teil.Zwei britische Leichtathleten, einer ein frommer Jude und der andere ein frommer Christ, nehmen an den Olympischen Spielen 1924 teil.Zwei britische Leichtathleten, einer ein frommer Jude und der andere ein frommer Christ, nehmen an den Olympischen Spielen 1924 teil.
- 4 Oscars gewonnen
- 18 Gewinne & 19 Nominierungen insgesamt
John Gielgud
- Master of Trinity
- (as Sir John Gielgud)
Best Picture Winners by Year
Best Picture Winners by Year
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Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen Colin Welland completed his first draft, the only title he could come up with was "Runners". Then, one Sunday evening he turned on BBC's religious music series Songs of Praise (1961), featuring the hymn "Jerusalem," with lyrics from a poem by William Blake. The chorus included the words "Bring me my chariot of fire". The writer leaped to his feet and shouted to his wife, "I've got it, Pat! 'Chariots of Fire'!" (The "Jerusalem" hymn is featured at the beginning and end of the movie.)
- PatzerWhen signing an autograph for a young fan, Eric Liddell does not unscrew or remove any cap from the pen he uses. As all fountain pens have caps, he seems to be using a modern day ballpoint pen which was not invented until 1938.
- Zitate
Eric Liddell: I believe God made me for a purpose - but He also made me fast. And when I run, I feel His pleasure.
- Alternative VersionenThere is at least one slightly different version of the movie, issued in Europe on homevideo. The beginning is different - shorter - and introduces Harold Abrahams while playing cricket with his colleagues. The scene in the train station, where Monty meets Harold is absent, as well as the loading of the baggage in the taxi they share. We simply see Monty writing a letter to his parents, mentioning that "Harold is as intense as ever" (cut to the cricket scene, maybe 30 seconds long), and then continues with "I remember our first day... we shared a taxi together" (cut to the two students unloading their stuff from the car). This alternate version also have slightly different end credits, and does not mention Harold marrying Sybil. The differences are minor (the U.S. version provides a more shocking memento of WWI, when it shows crippled baggage handlers in the station); one of the reasons the cricket scene was dropped in favour of the station one was due to the distributor's worry that the American market would not understand it.
- VerbindungenFeatured in Vangelis: Chariots of Fire (1981)
- SoundtracksHe is an Englishman
(1878) (uncredited)
from "H.M.S. Pinafore"
Music by Arthur Sullivan
Lyrics by W.S. Gilbert
Ausgewählte Rezension
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.
The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.
The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
The races are riveting - partly due to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introduction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the product of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.
Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.
Do watch it - it's very fine, very moving, very exciting.
The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.
The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
The races are riveting - partly due to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introduction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the product of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.
Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.
Do watch it - it's very fine, very moving, very exciting.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Chariots of Fire
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 58.972.904 $
- Eröffnungswochenende in den USA und in Kanada
- 68.907 $
- 27. Sept. 1981
- Weltweiter Bruttoertrag
- 59.317.376 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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