Die klaustrophobische Welt eines deutschen U-Boots im Zweiten Weltkrieg; Langeweile, Schmutz und nackte Angst.Die klaustrophobische Welt eines deutschen U-Boots im Zweiten Weltkrieg; Langeweile, Schmutz und nackte Angst.Die klaustrophobische Welt eines deutschen U-Boots im Zweiten Weltkrieg; Langeweile, Schmutz und nackte Angst.
- Für 6 Oscars nominiert
- 13 Gewinne & 12 Nominierungen insgesamt
Heinz Hoenig
- Hinrich
- (as Heinz Hönig)
Ralf Richter
- Frenssen
- (as Ralph Richter)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe cast was deliberately kept indoors continually during the shooting period in order to look as pale as a real submarine crew would on a mission at sea.
- PatzerIn the bordello sequence prior to the launch scene, swing music was being played. Under Hitler, swing or big band music was forbidden, and only German classical music could be played. However, popular music was common in such service clubs, especially outside Germany proper.
- Zitate
Lt. Werner: Captain?
Captain: I'm sorry.
Lt. Werner: You think it's hopeless now?
Captain: It's been 15 hours. He'll never do it. I'm sorry.
Lt. Werner: They made us all train for this day. "To be fearless and proud and alone. To need no one, just sacrifice. All for the Fatherland." Oh God, all just empty words. It's not the way they said it was, is it? I just want someone to be with. The only thing I feel is afraid.
- Alternative VersionenThe 5.1 remix for the 209-minute director's cut (for both the English and German dubs) contains entirely new sound effects in place of the sound effects from the original stereo mix. In addition to that, the original Columbia Pictures logo from 1981 featured in the opening is plastered with a silent version of the 1997 Columbia logo instead. The Blu-ray release contains both the original 149-minute theatrical version and the 1997 director's cut on two separate discs, making this release the first time in the US since the VHS and Laserdisc days that the theatrical version has been made available. However, on the disc containing the theatrical version, despite being listed as a 5.1 remix on the case and the menu, it instead contains only the original stereo mix for both the German and English tracks (in addition to restoring the original 1981 Columbia Pictures logo to the opening).
- VerbindungenEdited from Die Luftschlacht um England (1969)
- SoundtracksLa Paloma
(uncredited)
Written by Sebastian Iradier (as Sebastian de Yradier) and Michael Jary
Performed by Rosita Serrano
Published by Edition Cinema
Ausgewählte Rezension
While it has been a very long time since I have seen this movie, it is one of the very few that I own. Wolfgang Petersen's magnificent accomplishment in "Das Boot" is reiterating the dictum that "war is hell", no matter which side you look at it from and no matter where the battlefield is located.
*** Minor spoilers ***
The plot has been well described by other viewers so I won't rehash it again. But my personal observations, as an ex-submarine sailor, are that Petersen probably portrayed life on board the sub pretty accurately. I say "probably" because todays subs are hotels compared with the German U-boats and American submarines. The commonality between yesterday and today is how the crew deals with being closed up in a "sewer pipe" for weeks at a time. More importantly, you as a viewer become an invisible crew member as the crew lives in very cramped conditions (American WW2 subs used to be called "pig boats"), deals with an unfortunately believable political officer, deals with drills, actual torpedo firings, actual ships casualties, and deals, most frighteningly, with retribution from the "enemy". My own experience watching the depth charging of the U-boat was such that I was thinking "stop it, Stop It, STOP IT, STOPITSTOPITSTOPIT...!!!!!" That's how real it felt to me. For the rest of you, I feel certain you will too be dragged in and know what it is like to live on board a WW2 U-boat.
This movie also shows how leadership is so important in keeping the crew (and ultimately the sub) together. Petersen's direction for Captain Lehmann-Willenbrock was masterful because it didn't portray the captain as a god. It showed him as a man who knows how to lead, knows his submarine as if he were married to it (and in many ways he is) but isn't perfect at the job. It also shows that even with great leadership qualities, Captain Lehmann-Willenbrock can not do the job alone: he must have both officers and enlisted men who have the knowledge and skill to not just do their jobs, but to also advise the captain. Petersen also managed to give each member of the crew their own separate personalities instead of the predictable cookie-cutter personalities that Hollywood feels is needed.
I could go on and on. So I will close by saying that with the plot, direction, cinematography, acting, sound, music, editing all being top notch, this is one of the few movies that I can truly rate a 10 out of 10. I also preferred the German version with subtitles.
------------------------------------
I believe that this movie was either the first or one of the first to use Steadicam technology. It was truly amazing for me to see a camera zip its way through a submarine, specifically through the open watertight doors, without a break in the filming. Up until I heard what Steadicam was, I was always wondering how Petersen managed to hide the camera dolly track or the wires the camera hung from.
(It turns out I was wrong: "Bound For Glory" was the first.)
EDIT (12 OCT, 2006): I have been corrected by an observant viewer. Wikipedia has the following comment on what I thought was Steadicam usage:
"Most of the interior shots were filmed using a hand-held Arriflex of cinematographer Jost Vacano's design to convey the claustrophobic atmosphere of the boat. It had a gyroscope to provide stability, a reinvention of the Steadicam on a smaller scale, so that it could be carried throughout the interior of the mock-up. Vacano wore full-body padding to minimize injury as he ran and the mock-up was rocked and shaken."
So, literally, a Steadicam was NOT used in the filming of "Das Boot". However, a camera that resembled Steadicam in function (in the way it gyroscopically leveled the filming platform) was used.
------------------------------------
Even though todays submarines are far cleaner then their predecessors, and we have refrigerators, freezers, air conditioning, are able to take showers, etc., there is one aspect of living in an enclosed space that still lives on: the smell. While the smell of the "pig boats" of WW2 was truly atrocious, even with todays ability to clean the atmosphere, you can not escape the fact that any smell that is created, from burned toast in the galley, from the smell of the "sanitary gasses" (to be kind), to gasified hydraulic oil and diesel fuel, all these particulates will eventually become absorbed in your clothing. You, as a sailor, may get used to it, but when you get home, your wife will most likely declare that you smell like a submarine and demand that whatever you are wearing get thrown in the wash ... immediately!
*** Minor spoilers ***
The plot has been well described by other viewers so I won't rehash it again. But my personal observations, as an ex-submarine sailor, are that Petersen probably portrayed life on board the sub pretty accurately. I say "probably" because todays subs are hotels compared with the German U-boats and American submarines. The commonality between yesterday and today is how the crew deals with being closed up in a "sewer pipe" for weeks at a time. More importantly, you as a viewer become an invisible crew member as the crew lives in very cramped conditions (American WW2 subs used to be called "pig boats"), deals with an unfortunately believable political officer, deals with drills, actual torpedo firings, actual ships casualties, and deals, most frighteningly, with retribution from the "enemy". My own experience watching the depth charging of the U-boat was such that I was thinking "stop it, Stop It, STOP IT, STOPITSTOPITSTOPIT...!!!!!" That's how real it felt to me. For the rest of you, I feel certain you will too be dragged in and know what it is like to live on board a WW2 U-boat.
This movie also shows how leadership is so important in keeping the crew (and ultimately the sub) together. Petersen's direction for Captain Lehmann-Willenbrock was masterful because it didn't portray the captain as a god. It showed him as a man who knows how to lead, knows his submarine as if he were married to it (and in many ways he is) but isn't perfect at the job. It also shows that even with great leadership qualities, Captain Lehmann-Willenbrock can not do the job alone: he must have both officers and enlisted men who have the knowledge and skill to not just do their jobs, but to also advise the captain. Petersen also managed to give each member of the crew their own separate personalities instead of the predictable cookie-cutter personalities that Hollywood feels is needed.
I could go on and on. So I will close by saying that with the plot, direction, cinematography, acting, sound, music, editing all being top notch, this is one of the few movies that I can truly rate a 10 out of 10. I also preferred the German version with subtitles.
------------------------------------
I believe that this movie was either the first or one of the first to use Steadicam technology. It was truly amazing for me to see a camera zip its way through a submarine, specifically through the open watertight doors, without a break in the filming. Up until I heard what Steadicam was, I was always wondering how Petersen managed to hide the camera dolly track or the wires the camera hung from.
(It turns out I was wrong: "Bound For Glory" was the first.)
EDIT (12 OCT, 2006): I have been corrected by an observant viewer. Wikipedia has the following comment on what I thought was Steadicam usage:
"Most of the interior shots were filmed using a hand-held Arriflex of cinematographer Jost Vacano's design to convey the claustrophobic atmosphere of the boat. It had a gyroscope to provide stability, a reinvention of the Steadicam on a smaller scale, so that it could be carried throughout the interior of the mock-up. Vacano wore full-body padding to minimize injury as he ran and the mock-up was rocked and shaken."
So, literally, a Steadicam was NOT used in the filming of "Das Boot". However, a camera that resembled Steadicam in function (in the way it gyroscopically leveled the filming platform) was used.
------------------------------------
Even though todays submarines are far cleaner then their predecessors, and we have refrigerators, freezers, air conditioning, are able to take showers, etc., there is one aspect of living in an enclosed space that still lives on: the smell. While the smell of the "pig boats" of WW2 was truly atrocious, even with todays ability to clean the atmosphere, you can not escape the fact that any smell that is created, from burned toast in the galley, from the smell of the "sanitary gasses" (to be kind), to gasified hydraulic oil and diesel fuel, all these particulates will eventually become absorbed in your clothing. You, as a sailor, may get used to it, but when you get home, your wife will most likely declare that you smell like a submarine and demand that whatever you are wearing get thrown in the wash ... immediately!
- Mike_Wiggins
- 24. März 2005
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Das Boot - The Director's Cut
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 32.000.000 DM (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.487.676 $
- Eröffnungswochenende in den USA und in Kanada
- 26.994 $
- 14. Feb. 1982
- Weltweiter Bruttoertrag
- 11.488.778 $
- Laufzeit2 Stunden 29 Minuten
- Farbe
- Sound-Mix
- Dolby Stereo(original release)
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