Tsigoineruwaizen

1980
Not Rated
2 Std. 24 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Füge eine Handlung in deiner Sprache hinzuA surreal period film following a university professor and his eerie nomad friend as they go through loose romantic triangles and face death in peculiar ways.A surreal period film following a university professor and his eerie nomad friend as they go through loose romantic triangles and face death in peculiar ways.A surreal period film following a university professor and his eerie nomad friend as they go through loose romantic triangles and face death in peculiar ways.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,9/10

1554

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 17 Gewinne & 7 Nominierungen insgesamt

Fotos26

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Wissenswertes
The mysterious, ghost-like voice that can be faintly heard on the soundtrack during the playing of Pablo de Sarasate's 1904 recording of his own 1878 composition, Zigeunerweisen (which gives this film its title), and which the film's characters comment upon at great length, is not a fabrication of the filmmakers. On the original recording, at about 3 minutes and 25 seconds, a voice can be heard speaking rapidly for about two seconds. The two main characters in the film have no idea what the voice is saying and it intrigues them. However, according to a biography of the violinist-composer Efrem Zimbalist Sr. (father of the famous film and television actor), Sarasate was actually "instructing his accompanist to cut the slow section" of the composition, presumably to accommodate the limited recording time of the disk.

Benutzerrezensionen13

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Ausgewählte Rezension

3/10

Not for me

I never thought I would say this about a Seijun Suzuki film, but my god was this boring. For starters, its meandering story told at a snail's pace should have been about an hour shorter. It often felt surreal just for the sake of being surreal, e.g. The trio of beggars with bizarre affectations singing their raunchy songs, the eyeball licking, etc. Other times it was just banal, with conversations that seemed pointless to me. It is marginally better in its final half hour, but that's not saying much. I never felt cohesion or a payoff that warranted all of the silliness, and this is not one I'd care to sit through again.