IMDb-BEWERTUNG
7,6/10
24.292
IHRE BEWERTUNG
Eine sich durchs Leben kämpfende Sopranistin findet Arbeit als vorgeblicher männlicher Damenimitator, was jedoch ihr privates Leben erheblich erschwert.Eine sich durchs Leben kämpfende Sopranistin findet Arbeit als vorgeblicher männlicher Damenimitator, was jedoch ihr privates Leben erheblich erschwert.Eine sich durchs Leben kämpfende Sopranistin findet Arbeit als vorgeblicher männlicher Damenimitator, was jedoch ihr privates Leben erheblich erschwert.
- 1 Oscar gewonnen
- 11 Gewinne & 18 Nominierungen insgesamt
Herb Tanney
- Charles Bovin
- (as Sherloque Tanney)
Matyelok Gibbs
- Cassell's Receptionist
- (as Matyelock Gibbs)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis movie had been planned as early as 1978, with Dame Julie Andrews to star alongside Peter Sellers, but Sellers died in 1980, while Andrews and Blake Edwards were filming S.O.B. - Hollywoods letzter Heuler (1981). Robert Preston was subsequently cast in the role of Carole "Toddy" Todd.
- PatzerIn the one scene when King turns on the radio, the sound comes right on. In the old vacuum tube radios of the day, the filaments of the tubes would have to warm up before any sound emanates.
- Crazy CreditsThe opening credits are a montage of Art Deco illustrations, with most of them reflecting the functions of the credited persons.
Ausgewählte Rezension
Despite all of its gender-bending commentary on sexuality, both hetero- and homo-, "Victor/Victoria" looked and sounded in 1982 (year of "ET" and "The Road Warrior") as if it were made in 1962 -- and that was a good thing. Blake Edwards' trademark ability to combine lush romanticism with immitable slapstick comedy was here matched by a wonderful score by his longtime collaborator Henry Mancini, "Voila!" -- we're back in the early sixties again. (It didn't hurt that stars Julie Andrews and James Garner were hottest in the sixties, and had acted together in 1964's "The Americanization of Emily.")
Robert Preston, "The Music Man" of late fifties Broadway and 1962 screen fame, further added an element of early sixties nostalgia -- with the twist that he here used his booming vocal tones in the service of a delightfully out and comfortable gay man. Preston was one of two hot contenders for the Best Supporting Actor Oscar that year. The winner was Lou Gossett, Jr. for his Drill Instructor in "An Officer And A Gentleman."
Rounding out the great cast are Lesley Ann Warren (sexy and very funny) in an Oscar-nominated role as Garner's mob moll floozie, and Alex Karras, continually funny as Garner's softhearted ox of a bodyguard. (Karras gets a classic Blake Edwards slapstick routine trapped in the freezing snow outside a Paris hotel, getting big laughs out of the simple line: "You've got heat? That's good.")
And be sure to keep a lookout for "Sherloque Tanney" as the French private detective on Victor/Victoria's trail. Tanney was Blake Edwards dentist, and appeared in almost every Blake Edwards film from "Darling Lili" (1970) on. Other than his corpse in "SOB," (1981), the French detective is possibly Dr. Tanney's greatest role on the screen. Tanney, too, gets to anchor several great trademark Blake Edwards slapstick routines.
Oh, and there's music, too. Enough music for a Broadway musical (which is what "Victor/Victoria" became), and with a sad and wistful Mancini title tune (reprised in the film by Andrews) that reminds one a bit of "Moon River" and "Days of Wine and Roses." Just like in the early sixties.
Robert Preston, "The Music Man" of late fifties Broadway and 1962 screen fame, further added an element of early sixties nostalgia -- with the twist that he here used his booming vocal tones in the service of a delightfully out and comfortable gay man. Preston was one of two hot contenders for the Best Supporting Actor Oscar that year. The winner was Lou Gossett, Jr. for his Drill Instructor in "An Officer And A Gentleman."
Rounding out the great cast are Lesley Ann Warren (sexy and very funny) in an Oscar-nominated role as Garner's mob moll floozie, and Alex Karras, continually funny as Garner's softhearted ox of a bodyguard. (Karras gets a classic Blake Edwards slapstick routine trapped in the freezing snow outside a Paris hotel, getting big laughs out of the simple line: "You've got heat? That's good.")
And be sure to keep a lookout for "Sherloque Tanney" as the French private detective on Victor/Victoria's trail. Tanney was Blake Edwards dentist, and appeared in almost every Blake Edwards film from "Darling Lili" (1970) on. Other than his corpse in "SOB," (1981), the French detective is possibly Dr. Tanney's greatest role on the screen. Tanney, too, gets to anchor several great trademark Blake Edwards slapstick routines.
Oh, and there's music, too. Enough music for a Broadway musical (which is what "Victor/Victoria" became), and with a sad and wistful Mancini title tune (reprised in the film by Andrews) that reminds one a bit of "Moon River" and "Days of Wine and Roses." Just like in the early sixties.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Віктор Вікторія
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 28.215.453 $
- Eröffnungswochenende in den USA und in Kanada
- 139.634 $
- 21. März 1982
- Weltweiter Bruttoertrag
- 28.229.440 $
- Laufzeit2 Stunden 14 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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