IMDb-BEWERTUNG
5,8/10
2648
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA toxic spill revives a beautiful, dead heiress who, with the help of her childhood friend, must quench her insatiable thirst for blood.A toxic spill revives a beautiful, dead heiress who, with the help of her childhood friend, must quench her insatiable thirst for blood.A toxic spill revives a beautiful, dead heiress who, with the help of her childhood friend, must quench her insatiable thirst for blood.
Fanny Magier
- 6th Victim
- (as Fanny Magieri)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere was an English version filmed with the same cast and crew, which was directed by Gregory Heller who would shoot his scene right after Jean Rollin. The English version has never been released and is now a lost film.
- Zitate
Catherine Valmont: If you die first, I'll follow you.
Hélène: If you die first, I'll follow you. I swear it with my blood.
Catherine Valmont: I swear it with my blood. Hélène, I will always love you...
- Alternative VersionenThe 1994 UK Redemption video release was cut by 2 minutes 29 secs by the BBFC to heavily edit shots of cannibalism, closeups of a woman's slashed stomach and a shot of a woman with a knife in her throat. The 2007 Redemption DVD is fully uncut.
- VerbindungenFeatured in Eurotika!: Vampires and Virgins (1999)
- SoundtracksLa morte vivante
Written by Phillipe D'Aram
Ausgewählte Rezension
I hate to admit it, but I like the idea of Jean Rollin more than the reality of sitting through one of his films. It's not that I don't appreciate what he's doing. I do. He has a unique world view and holds a special place in the world of "fantastique" cinema that is indisputable.
Still, I find his films a little boring.
Case in point THE LIVING DEAD GIRL springs from a simple and fascinating concept of a dead woman, who must drink blood to survive, returning to a château to be with an old friend.
As fascinating as the concept is, Rollin doesn't do a whole lot with it. He serves up plenty of atmosphere, imbues his material with a subtle eroticism and draws a superb performance from the beautiful Francoise Blanchard. What else do you want? you may ask. I'm not sure. I wanted more to happen, I guess. I wanted Rollin to jettison the boring bits and replace them with his signature set pieces.
It's been described as "savage", an adjective I wouldn't use myself. It's also been described as "dreamy". For the most part that's true. My frustration is with the film's uneven tone. Why couldn't it remain "dreamy" right through? You do need patience and a little forgiveness to enjoy Rollin.
I still wouldn't miss anything he's done. He's one of us.
Still, I find his films a little boring.
Case in point THE LIVING DEAD GIRL springs from a simple and fascinating concept of a dead woman, who must drink blood to survive, returning to a château to be with an old friend.
As fascinating as the concept is, Rollin doesn't do a whole lot with it. He serves up plenty of atmosphere, imbues his material with a subtle eroticism and draws a superb performance from the beautiful Francoise Blanchard. What else do you want? you may ask. I'm not sure. I wanted more to happen, I guess. I wanted Rollin to jettison the boring bits and replace them with his signature set pieces.
It's been described as "savage", an adjective I wouldn't use myself. It's also been described as "dreamy". For the most part that's true. My frustration is with the film's uneven tone. Why couldn't it remain "dreamy" right through? You do need patience and a little forgiveness to enjoy Rollin.
I still wouldn't miss anything he's done. He's one of us.
- fertilecelluloid
- 26. Dez. 2004
- Permalink
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