IMDb-BEWERTUNG
7,8/10
5498
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuVarious MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
June Allyson
- June Allyson
- (Archivfilmmaterial)
Kay Armen
- Clip from 'Hit the Deck'
- (Archivfilmmaterial)
Ray Bolger
- 'Hunk'
- (Archivfilmmaterial)
- …
Virginia Bruce
- Clip from 'The Great Ziegfeld'
- (Archivfilmmaterial)
Jack Buchanan
- Clip from 'The Band Wagon'
- (Archivfilmmaterial)
Leslie Caron
- Lise Bouvier
- (Archivfilmmaterial)
- …
Carleton Carpenter
- Clip from 'Two Weeks with Love'
- (Archivfilmmaterial)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was a revelation at the time of its release. The majority of the pre-1936 MGM film library had rarely been released to television, so clips from films such as Buster rutscht ins Filmland (1930) and The Hollywood Revue of 1929 (1929) were shown for the first time since their original theatrical releases. For years, films such as Heimweh nach St. Louis (1944) and Ein Amerikaner in Paris (1951) had only been shown via worn, badly spliced prints late at night on independent TV stations. For this film, the vintage footage was meticulously restored and remastered for 70mm projection, making it look better than they did upon their original releases.
- PatzerAt the beginning of the film, Frank Sinatra says The Hollywood Revue of 1929 (1929) is the "first all-talking, all-singing, all-dancing movie ever made". In fact, it wasn't; the first was The Broadway Melody (1929), which was released in February, nine months before "The Hollywood Revue" was released. Indeed, by the time of That's Entertainment! III (1994), narrator Gene Kelly was now calling The Hollywood Revue of 1929, "one of the first all-talking, all-singing, all-dancing movies."
- Zitate
Liza Minnelli: Thank God for film. It can capture a performance and hold it right there forever. And if anyone says to you, "Who was he?" or, "Who was she?" or, "What made them so good?" I think a piece of film answers that question better than any words I know of.
- Crazy CreditsProducer Jack Haley Jr.'s credit appears over a still image of his father, Jack Haley, as the Tin Man in the Wizard of Oz.
- Alternative VersionenSome TV prints extend Bing Crosby's segment by adding the musical number "True Love" from "High Society" (1956).
- VerbindungenEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksThat's Entertainment
(1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
Performed by the M-G-M Studio Orchestra Conducted by Henry Mancini
Ausgewählte Rezension
Musicals--that most surrealistic of motion picture genres--have fallen out of fashion over the past few decades... but at one time they dominated motion picture screens. MGM, a studio which boasted it had "More Stars Than There Are In The Heavens," was renowned for the musical talents it had under contract. And this clever compilation, with its various segments introduced by the likes of Frank Sinatra, Elizabeth Taylor, Debbie Reynolds, Bing Crosby, and Mickey Rooney, offers an extraordinary collection of musical moments from the 1930s, 1940s, and 1950s--the golden age of the genre.
The compilation is very, very broad and includes performances by both the still-famous and once-famous, and gives us the opportunity to see some magical moments without having to wade through the entire genre or assess whether or not you actually want to sit through an obscure film in order to see one five minute musical moment. While it includes performances by the delicious Lena Horne (performing "Honeysuckle Rose" before a sophisticated set of drapery and mirrors), the brilliant Elenor Powell (with several offerings, the most memorable being "Begin the Begine" with Fred Astaire), and a host of others, most of the collection revolves around four MGM superstars: Gene Kelly, Esther Williams, Fred Astaire, and Judy Garland. The tribute to Esther Williams is particularly welcome, a marvelous array of some of the most beautiful and beautifully surreal scenes ever put to film; the tribute to Judy Garland, touchingly introduced and narrated by daughter Liza Minnelli, is also particularly well done.
But the real feast here is of musical oddities and rarities. In its search for musical talent, MGM put almost every star under contract through their musical paces--and the result is often truly bizarre. Among the most memorable of these is Joan Crawford, who believe it or not was considered a jazz dancer of some note during the 1920s, and here she (introduced by an emcee as "the personification of youth, beauty, joy, and happiness) sings and then athletically stops through "Got A Feeling For You." Robert Montgomery looks awkward trying his hand at light opera; Jimmy Stewart sings pleasantly but unspectacularly; Jean Harlow belts out "Reckless;" and Clark Gable gives a remarkably charming throw-away performance of "Puttin' On The Ritz." It is all tremendous fun.
Of further interest is the fact that most of the narrators have filmed their scenes on the MGM backlot--which was on the verge of demolition when this compilation was made in 1974. It's fading glory is touching, nostalgic, and offers a final glimpse of what was the world's greatest film studio before it entered its final decline. A drawback to the compilation is that at the time it was made few if any of these films had been restored; some of the oldest film clips are in rather poor condition and the brilliance of Technicolor is somewhat reduced in certain scenes. But even with this problem, THAT'S ENTERTAINMENT is a feast of brilliant colors, costumes, spectacular dance numbers, and beautiful sounds, enough to delight any long-time musical fan and convert newcomers to the genre.
Gary F. Taylor, aka GFT, Amazon Reviewer
The compilation is very, very broad and includes performances by both the still-famous and once-famous, and gives us the opportunity to see some magical moments without having to wade through the entire genre or assess whether or not you actually want to sit through an obscure film in order to see one five minute musical moment. While it includes performances by the delicious Lena Horne (performing "Honeysuckle Rose" before a sophisticated set of drapery and mirrors), the brilliant Elenor Powell (with several offerings, the most memorable being "Begin the Begine" with Fred Astaire), and a host of others, most of the collection revolves around four MGM superstars: Gene Kelly, Esther Williams, Fred Astaire, and Judy Garland. The tribute to Esther Williams is particularly welcome, a marvelous array of some of the most beautiful and beautifully surreal scenes ever put to film; the tribute to Judy Garland, touchingly introduced and narrated by daughter Liza Minnelli, is also particularly well done.
But the real feast here is of musical oddities and rarities. In its search for musical talent, MGM put almost every star under contract through their musical paces--and the result is often truly bizarre. Among the most memorable of these is Joan Crawford, who believe it or not was considered a jazz dancer of some note during the 1920s, and here she (introduced by an emcee as "the personification of youth, beauty, joy, and happiness) sings and then athletically stops through "Got A Feeling For You." Robert Montgomery looks awkward trying his hand at light opera; Jimmy Stewart sings pleasantly but unspectacularly; Jean Harlow belts out "Reckless;" and Clark Gable gives a remarkably charming throw-away performance of "Puttin' On The Ritz." It is all tremendous fun.
Of further interest is the fact that most of the narrators have filmed their scenes on the MGM backlot--which was on the verge of demolition when this compilation was made in 1974. It's fading glory is touching, nostalgic, and offers a final glimpse of what was the world's greatest film studio before it entered its final decline. A drawback to the compilation is that at the time it was made few if any of these films had been restored; some of the oldest film clips are in rather poor condition and the brilliance of Technicolor is somewhat reduced in certain scenes. But even with this problem, THAT'S ENTERTAINMENT is a feast of brilliant colors, costumes, spectacular dance numbers, and beautiful sounds, enough to delight any long-time musical fan and convert newcomers to the genre.
Gary F. Taylor, aka GFT, Amazon Reviewer
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Details
Box Office
- Budget
- 3.200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 26.890.200 $
- Weltweiter Bruttoertrag
- 26.890.200 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
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Oberste Lücke
By what name was Das gibt's nie wieder (1974) officially released in India in English?
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