Füge eine Handlung in deiner Sprache hinzuAmidst public warnings of a dangerous patient who's escaped from a mental hospital, a young Belle Adams (Hayley Mills) hitches rides on the highway with various assortment of motorists.Amidst public warnings of a dangerous patient who's escaped from a mental hospital, a young Belle Adams (Hayley Mills) hitches rides on the highway with various assortment of motorists.Amidst public warnings of a dangerous patient who's escaped from a mental hospital, a young Belle Adams (Hayley Mills) hitches rides on the highway with various assortment of motorists.
Nina Zuckerman
- Petrol Station Attendant
- (as Nina Francis)
Juliet Aykroyd
- Steven's Girl Friend
- (as Juliet Ackroyd)
Robert Rietty
- Various voices
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis movie was originally intended to be part of a television anthology series to be called "Silhouettes".
- PatzerAt 48 minutes: At the petrol station when Stephen sees Malcolm and Belle in the open-topped sports car drive by, it can be seen by the different background features and the type of road, that the close-up of the sports car was filmed at a different location.
- Crazy Creditsthe final credits appear over a shot in which we see through a peephole two male nurses walk away
- VerbindungenReferenced in Psychos in Love (1987)
Ausgewählte Rezension
Being a big fan of road movies, this rarity instantly appealed to me. It's a British production, a thriller which has enough twists, turns, tricks and red herrings to rival any recent blockbuster. By keeping the plot simple (it's a bit like a low-key, subtle version of THE HITCHER), the director allows us to focus on the characters in the film and get to know them as events unfold through plenty of down-to-earth dialogue. It's a simple way of grabbing the audience's attention, but you'd be surprised how many films can't even grasp this simple concept.
Every trick in the book is pulled out here to keep the pace flying along. There's plenty of action, car chases, some weird psychological flashbacks which only reveal their importance at the film's climax, drama, suspense, plus the expected violence and nudity required to make this a sleazy epic. And it's all British, too, which gives it a novelty value unlike any other film I've seen - as I've said before, a little bit of originality goes a long way.
Another plus is the high standard of acting on display here from the two leads. Both Simon Ward and Hayley Mills utterly convince us that they are the characters that they play, each with distinctive personalities and their own ways of dealing with situations. Ward is thoroughly charismatic and appealingly innocent as the young man who may or may not be a killer, while Mills bypasses the "screaming girl" factor so apparent in many horror films to become a fully-fleshed, believable person who proves to be resourceful and independent time and time again. American legend Sterling Hayden also pops up for a cameo as a quirky old chap who thinks that his luck's in with Mills - it isn't.
This is a film which had me gripped right until the very end. Only in the closing minutes is the killer's identity confirmed, so it has you guessing right up until then. All this and plenty of fun moments too, such as a pair of Hells Angels who get more than they bargained for when one of their bikes is run off the road and explodes! What makes this film work for me is that the film is firmly rooted in reality, making what happens all the more interesting and involving. All the characters come across as real, everyday folk and even the British weather is spot on. DEADLY STRANGERS is a good example of clever, intelligent film-making and of what can be achieved on a low budget. Outstanding.
Every trick in the book is pulled out here to keep the pace flying along. There's plenty of action, car chases, some weird psychological flashbacks which only reveal their importance at the film's climax, drama, suspense, plus the expected violence and nudity required to make this a sleazy epic. And it's all British, too, which gives it a novelty value unlike any other film I've seen - as I've said before, a little bit of originality goes a long way.
Another plus is the high standard of acting on display here from the two leads. Both Simon Ward and Hayley Mills utterly convince us that they are the characters that they play, each with distinctive personalities and their own ways of dealing with situations. Ward is thoroughly charismatic and appealingly innocent as the young man who may or may not be a killer, while Mills bypasses the "screaming girl" factor so apparent in many horror films to become a fully-fleshed, believable person who proves to be resourceful and independent time and time again. American legend Sterling Hayden also pops up for a cameo as a quirky old chap who thinks that his luck's in with Mills - it isn't.
This is a film which had me gripped right until the very end. Only in the closing minutes is the killer's identity confirmed, so it has you guessing right up until then. All this and plenty of fun moments too, such as a pair of Hells Angels who get more than they bargained for when one of their bikes is run off the road and explodes! What makes this film work for me is that the film is firmly rooted in reality, making what happens all the more interesting and involving. All the characters come across as real, everyday folk and even the British weather is spot on. DEADLY STRANGERS is a good example of clever, intelligent film-making and of what can be achieved on a low budget. Outstanding.
- Leofwine_draca
- 9. Juni 2016
- Permalink
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- Pier, Weston-super-Mare, Somerset, England, Vereinigtes Königreich(Sterling Hayden Property)
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