In der vom Treibhauseffekt und der Überbevölkerung heimgesuchten Welt untersucht ein NYPD-Detektiv den Mord an einem CEO eines großen Unternehmens.In der vom Treibhauseffekt und der Überbevölkerung heimgesuchten Welt untersucht ein NYPD-Detektiv den Mord an einem CEO eines großen Unternehmens.In der vom Treibhauseffekt und der Überbevölkerung heimgesuchten Welt untersucht ein NYPD-Detektiv den Mord an einem CEO eines großen Unternehmens.
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
Handlung
WUSSTEST DU SCHON:
- Wissenswertes(at around 33 mins) The scene where Thorn and Roth share a meal of fresh food was not originally in the script, but was ad-libbed by Charlton Heston and Edward G. Robinson at director Richard Fleischer's request.
- Patzer(at around 9 mins) The piece of meat Shirl buys for Simonson is clearly not the same piece Thorn unwraps in front of Sol (at around 23 mins).
- Zitate
Sol: [Thorn is seeing the beautiful images shown in Sol's euthanasia chamber] Can you see it?
Det. Thorn: [choked up] Yes...
Sol: Isn't it beautiful?
Det. Thorn: Oh, yes...
Sol: I told you.
Det. Thorn: [humbly] How could I know? How could I... how could I ever imagine?
- Alternative VersionenDeleted scene: When Tab Fielding (Chuck Connors) goes shopping with Shirl, he is mugged, and wins the fight. This scene was filmed, but deleted.
- VerbindungenEdited from Die Herrin von Thornhill (1967)
- SoundtracksSymphony No. 6 in B Minor, Op.74: 'Pathetique': I. Adagio - Allegro non Troppo
(uncredited)
By Pyotr Ilyich Tchaikovsky
Ausgewählte Rezension
This was Eddie Robinson's 101st film and his last, and he died of cancer nine days after shooting was complete. All of which makes his key scene in the movie all the more poignant.
Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.
Several things make this film a classic. The story is solid.
The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.
The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.
And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.
This film is one of my top sci-fi films of all time.
Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.
Several things make this film a classic. The story is solid.
The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.
The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.
And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.
This film is one of my top sci-fi films of all time.
- Loadmaster
- 14. Aug. 2003
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Soylent Green
- Drehorte
- Chevron Refinery Power Generating Station, 300 Vista del Mar, El Segundo, Kalifornien, USA(Soylent factory Exterior)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 210 $
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Oberste Lücke
What is the Hindi language plot outline for ...Jahr 2022... die überleben wollen... (1973)?
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