F. Scott Fitzgerald in Hollywood

Fernsehfilm
1975
1 Std. 40 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Tuesday Weld and Jason Miller in F. Scott Fitzgerald in Hollywood (1975)

Füge eine Handlung in deiner Sprache hinzuThe story of author F. Scott Fitzgerald's two stays in Hollywood to write for films, once in 1927 at the height of his acclaim, and again in 1937 when he arrived with little money, enormous ... Alles lesenThe story of author F. Scott Fitzgerald's two stays in Hollywood to write for films, once in 1927 at the height of his acclaim, and again in 1937 when he arrived with little money, enormous expenses and an ill wife.The story of author F. Scott Fitzgerald's two stays in Hollywood to write for films, once in 1927 at the height of his acclaim, and again in 1937 when he arrived with little money, enormous expenses and an ill wife.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,5/10

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Fotos16

+ 8

Mehr wie diese

Handlung

Ändern

WUSSTEST DU SCHON:

Ändern

Wissenswertes
Tuesday Weld was one of the actresses considered for the role of Daisy in the 1974 film version of Der große Gatsby (1974). She refused to do a screen test, so Mia Farrow ultimately played the part instead.

Benutzerrezensionen1

Rezension

Ausgewählte Rezension

7/10

Biographies

Even when biographies have always been a general disaster, this one made for TV seems to capture the right decade -the 20's-. What's more: Jason Miller as F. Scott Fitzgerald captures the essence of this peculiar author. In reference to Tuesday Weld, an actress not always understood, her loony portrait of the unfortunate Zelda Sayre is really frightening. You have to watch her dancing alone while you listen "Poor Butterfly" on the soundtrack. Much has been written about Ms Sayre and she herself wrote a beautiful novel -SAVE ME THE WALTZ-. But oddly enough, no actress could match her madness as Tuesday Weld did in that made-for-TV movie. Pity this segment of two tortured lives, very well directed, didn't reach a wider audience. No matter what, it's impossible to forget Ms Weld in front of the mirrors because she becomes Zelda Sayre, lost in her own world. abel posadas