IMDb-BEWERTUNG
6,4/10
1590
IHRE BEWERTUNG
Eine Frau und zwei Kinder werden von Apachen entführt.Eine Frau und zwei Kinder werden von Apachen entführt.Eine Frau und zwei Kinder werden von Apachen entführt.
Harry Dean Stanton
- Sergeant Parker
- (as Dean Stanton)
José Chávez
- Padre
- (Nicht genannt)
Jaime Fernández
- Addis' Indian Scout
- (Nicht genannt)
Peter Ford
- Bearded Union Deserter
- (Nicht genannt)
Jane Geffrey
- Olive Warfield
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesGlenn Ford and his son Peter Ford had a difficult relationship during the shooting of the film. His son later confessed that it was a bitter time for both of them. Ford had just gotten a difficult divorce and behaved in a strange way with his son: one day he was friendly and the other, nasty. Glenn Ford's son compared his father to Dr Jekyll and Mr Hyde.
- PatzerDuring the fight with the Apaches in the Mormon ghost town, Forbes shoots out of a window with his pistol right next to his face. In actuality, the recoil of the weapon would have carried it right back into his nose like a punch. In the same scene, Captain Addis shoots a shotgun from a window in a similar fashion, a weapon with even more recoil that, in reality, would have slammed into his face and probably given him a black eye.
- Zitate
[during an cholera epidemic]
Dr. Eli Prather: Don't talk to me, I'm busy killin' people.
- VerbindungenReferenced in Blutjunge Unschuld (1970)
- SoundtracksCome Wander With Me
(uncredited)
[theme reuses from the Twilight Zone's episode]
Ausgewählte Rezension
I like Glen FORD and consider this western a minor classic. Pretty unknown and still waiting to be recognized even by movie buffs this little gem has definitely not yet the reputation it deserves.
"Directed with lazy assurance" as the TIME OUT FILM GUIDE correctly writes, by veteran director Jerry Thorpe, and played with laid back gusto by all involved, this western offers a very grim and dark view on the "old west", more influenced by the Italo-western (which was in full bloom in the later 60ies) than the classic US-flick. Gunfighter FORD, aged, bored, tired and with "have-seen-it-all" eyes, comes back home just to find his wife and 2 small daughter carried away by Apaches. Arthur KENNEDY claims his wife was about to marry him and after an incredibly tough fist-fight they team up (unwillingly) to rescue them.
What follows is an odyssey through some very bizarre situations, staged with the aforementioned lazy assurance, situations, which one does not happen to see in many other US-western: everything is dark, depressing, cynical and void of any sympathy. Whereas THE SEARCHERS had some hope underneath, this is more than 10 years later and the characters, scripted by veteran scriptwriter Charles Marquis Warren, are driven by the urge to do what has to be done, but equipped with little hope. FORD plays the "lost character" in an old west with dark cynical humor, one of his best later performances. Kennedy is fine, too, and also very worth mentioning is the character played by Nico Minardos, whom you would more expect to find in any Quentin Tarantino movie than in a B-western from the later 60ies. Great rough music by Jeff Alexander! All in all a very watchable outing, made by experts, each of whom must have had a dozen or more western to his credit at the time, when they teamed up to put DAY OF THE EVIL GUN on celluloid.
Watch out for this and don't miss it, it's very well worth a viewing !
"Directed with lazy assurance" as the TIME OUT FILM GUIDE correctly writes, by veteran director Jerry Thorpe, and played with laid back gusto by all involved, this western offers a very grim and dark view on the "old west", more influenced by the Italo-western (which was in full bloom in the later 60ies) than the classic US-flick. Gunfighter FORD, aged, bored, tired and with "have-seen-it-all" eyes, comes back home just to find his wife and 2 small daughter carried away by Apaches. Arthur KENNEDY claims his wife was about to marry him and after an incredibly tough fist-fight they team up (unwillingly) to rescue them.
What follows is an odyssey through some very bizarre situations, staged with the aforementioned lazy assurance, situations, which one does not happen to see in many other US-western: everything is dark, depressing, cynical and void of any sympathy. Whereas THE SEARCHERS had some hope underneath, this is more than 10 years later and the characters, scripted by veteran scriptwriter Charles Marquis Warren, are driven by the urge to do what has to be done, but equipped with little hope. FORD plays the "lost character" in an old west with dark cynical humor, one of his best later performances. Kennedy is fine, too, and also very worth mentioning is the character played by Nico Minardos, whom you would more expect to find in any Quentin Tarantino movie than in a B-western from the later 60ies. Great rough music by Jeff Alexander! All in all a very watchable outing, made by experts, each of whom must have had a dozen or more western to his credit at the time, when they teamed up to put DAY OF THE EVIL GUN on celluloid.
Watch out for this and don't miss it, it's very well worth a viewing !
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Details
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Laufzeit1 Stunde 35 Minuten
- Seitenverhältnis
- 2.35 : 1
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