Der amerikanische Grand-Prix-Pilot Pete Aron wird von seinem Jordan-BRM-Rennstall nach einem Unfall in Monaco, bei dem sein britischer Teamkollege Scott Stoddard verletzt wurde, gefeuert.Der amerikanische Grand-Prix-Pilot Pete Aron wird von seinem Jordan-BRM-Rennstall nach einem Unfall in Monaco, bei dem sein britischer Teamkollege Scott Stoddard verletzt wurde, gefeuert.Der amerikanische Grand-Prix-Pilot Pete Aron wird von seinem Jordan-BRM-Rennstall nach einem Unfall in Monaco, bei dem sein britischer Teamkollege Scott Stoddard verletzt wurde, gefeuert.
- 3 Oscars gewonnen
- 3 Gewinne & 4 Nominierungen insgesamt
- Izo Yamura
- (as Toshiro Mifune)
- Nino Barlini
- (as Antonio Sabàto)
- Monique Delvaux-Sarti
- (as Genevieve Page)
- Wallace Bennett
- (as Donal O'Brien)
- Surgeon
- (as Albert Remy)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOf the 32 professional racing drivers who participated or were seen in the film, five died in racing accidents within two years and another five in the following ten years.
- PatzerPrior to the start of the race at Monza, there is a flag ceremony at the starting line. The US flag has 48 stars instead of the 50 it should have had in 1966.
- Zitate
Jean-Pierre Sarti: The danger? Well, of course. But you are missing a very important point. I think if any of us imagined - really imagined - what it would be like to go into a tree at 150 miles per hour we would probably never get into the cars at all, none of us. So it has always seemed to me that to do something very dangerous requires a certain absence of imagination.
- VerbindungenEdited into Bass on Titles (1982)
Well, Frankenheimer did all that back in the 60s and for that reason alone the movie is required watching for anyone who has even a slight interest in cars or motor sports. GP offers us a pretty realistic glimpse of an era gone-by - and it doesn't shy away from the gruesome reality and dangers of motor-racing in the 60s. This realism alone makes GP stand out. The filmmakers didn't simulate races, they actually had the actors racing cars on the original tracks and filmed it. The result is astonishing and really gives a feeling of what it must've been like to sit in one of those beautiful deathtraps at speeds of around 300 km/h. The excellent cinematography, editing and music add to this unique experience and they also give the picture that typical 60s-feel (the opening credits alone are worth the price of admission in my book).
On a side note: Being a racing-fan myself, I can't help but wonder why Frankenheimer didn't include the race at the Nürburgring. Back in those days, F1 still used the 20km+ Nordschleife-version of the track, possibly the most demanding and "scary" circuit ever.
Naturally: Between races the movie loses momentum. That's not so much caused by some weak dialog or the predictable plot - it's s just that those incredible scenes on the tracks simply steal the show. No wonder that I find myself fast-forwarding through a lot of the dialog.
In short: 10/10 for the action on the racetracks - 6/10 for the scenes off the track = 8/10
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Гран-прі
- Drehorte
- Circuit de Spa-Francorchamps, Spa, Belgien(site of first win in a first time drive for Izo Yamura, the Japanese team owner, who had signed Pete Aron to drive the No. 24 in hopes for just this type of result)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Laufzeit2 Stunden 56 Minuten
- Farbe
- Seitenverhältnis
- 2.20 : 1