IMDb-BEWERTUNG
7,3/10
14.144
IHRE BEWERTUNG
Eine fließende, unzusammenhängende und manchmal chaotische Prozession von Szenen, die die verschiedenen Menschen und.Eine fließende, unzusammenhängende und manchmal chaotische Prozession von Szenen, die die verschiedenen Menschen und.Eine fließende, unzusammenhängende und manchmal chaotische Prozession von Szenen, die die verschiedenen Menschen und.
- Nominiert für 1 BAFTA Award
- 3 Gewinne & 3 Nominierungen insgesamt
Peter Gonzales Falcon
- Fellini, Age 18
- (as Peter Gonzales)
Vito Abbonato
- Young policeman
- (Nicht genannt)
Alfredo Adami
- Widowers' Member at Teatrino
- (Nicht genannt)
Ennio Antonelli
- Toll Booth Agent
- (Nicht genannt)
Salvatore Baccaro
- Sitting Man at Trastevere
- (Nicht genannt)
Bruno Bertocci
- Musical Director
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFirst feature film appearance of Cassandra Peterson, better known as Elvira, Mistress of the Dark. She and a friend were living in Rome when they ran into someone they met in Las Vegas the year before when they were working as showgirls. He was working as a student director for Ferderico Fellini and introduced them to him. He invited them to appear in the film. They played several small uncredited parts throughout with no speaking lines. Peterson said in an interview years later that her total screen time was less than 30 seconds. But she said she enjoyed it and that Fellini was "a great guy."
- PatzerPeter Gonzales Falcon's hairstyles are all in the longish 1972 mode, even though the portions of the film in which he appears are supposed to be taking place thirty or more years earlier, at which time men's hair was cut much, much shorter, and would never be worn as it appears in this film.
- Zitate
Narrator: This gentlemen is a Roman. A Roman from dawn to dusk. As jealous of Rome as if she were his wife. He is afraid that in my film I might present her in a bad light. He is telling me that I should show only the better side of Rome: her historical profile, her monuments - not a bunch fo homosexuals or my usual enormous whores.
- Alternative VersionenOriginally released in a 128 minutes version. Later cut to 119 minutes.
- VerbindungenFeatured in Film Night: The Secret World of Federico Fellini (1972)
Ausgewählte Rezension
Roma explores the city of Rome from several different perspectives, giving it a mystical life of its own that hangs in the balance between its rich history and its modern identity. With no real chronology, Roma is a tapestry of bizarre scenes and familiar images that blend together into a gorgeous visual carnival. Typical of Fellini, with the carnival comes a critique--and Roma tears through the city's political and religious history, satirizing the Catholic church and various faces of Italian government from Renaissance times through Mussolini's reign and on into the 1960s. While the camera lavishes affectionately over Rome's art and architecture and is clearly a tribute to the Eternal City, most of the sets in the film are constructed, reinforcing Fellini's narrative imagination and keeping viewers caught in a perpetual contradiction between reality and fantasy, history and the present, fact and fiction.
- paolodriussi
- 27. Mai 2005
- Permalink
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Details
Box Office
- Weltweiter Bruttoertrag
- 807 $
- Laufzeit2 Stunden
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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