IMDb-BEWERTUNG
7,3/10
3966
IHRE BEWERTUNG
Cesar ist in Rosalie verliebt. Doch Rosalie macht es ihm nicht leicht, vor allem, als ihre alte Flamme ins Spiel kommt.Cesar ist in Rosalie verliebt. Doch Rosalie macht es ihm nicht leicht, vor allem, als ihre alte Flamme ins Spiel kommt.Cesar ist in Rosalie verliebt. Doch Rosalie macht es ihm nicht leicht, vor allem, als ihre alte Flamme ins Spiel kommt.
- Auszeichnungen
- 1 wins total
Eva Maria Meineke
- Lucie Artigues
- (as Eva-Maria Meineke)
Pippo Merisi
- Albert
- (as Pipo Merisi)
Handlung
WUSSTEST DU SCHON:
- WissenswertesVittorio Gassman was considered for the role of César and Gérard Depardieu for the role of David. Catherine Deneuve turned down the part of Rosalie because of her pregnancy.
- VerbindungenFeatured in Montand à la rencontre de Pagnol (1986)
Ausgewählte Rezension
I was amazed from this film! Not only because I usually like Yves Montand and Romy Schneider, but because above all this is a film about human feelings and reactions.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.
- michelerealini
- 12. Okt. 2005
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Cesar & Rosalie
- Drehorte
- Beaugency, Loiret, Frankreich(first scene, the painter's house, Rue de l'Evêché)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 5.063 $
- Weltweiter Bruttoertrag
- 60.705 $
- Laufzeit1 Stunde 51 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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Oberste Lücke
By what name was Cesar und Rosalie (1972) officially released in India in English?
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