Dave arbeitet als Disc Jockey bei einem kleinen Radiosender. Er lernt Evelyn kennen, die sich Sie selber sofort als großer Fan offenbart. Aber sie ist nicht nur ein einfacher Bewunderer - Ev... Alles lesenDave arbeitet als Disc Jockey bei einem kleinen Radiosender. Er lernt Evelyn kennen, die sich Sie selber sofort als großer Fan offenbart. Aber sie ist nicht nur ein einfacher Bewunderer - Evelyn ist eine psychopathische Stalkerin.Dave arbeitet als Disc Jockey bei einem kleinen Radiosender. Er lernt Evelyn kennen, die sich Sie selber sofort als großer Fan offenbart. Aber sie ist nicht nur ein einfacher Bewunderer - Evelyn ist eine psychopathische Stalkerin.
- Auszeichnungen
- 1 Nominierung insgesamt
- Murphy
- (as Donald Siegel)
- Anjelica
- (as Brit Lind)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe first scene Clint Eastwood shot was his former director Don Siegel's cameo as Murph the bartender. As a joke, Eastwood made Siegel do eleven takes, then told the cameraman to put the film in the camera.
- PatzerWhen Evelyn creates a disturbance at Dave's business meeting with an executive from a San Francisco station, there is a close-up of the box containing the audition tape he originally sent to the station she runs. The return address reads Dave Garver, Radio K.M.R.L. (not K.R.M.L).
- Zitate
David 'Dave' Garver: Al, you ever find yourself being completely smothered by somebody?
Al Monte: Anybody I know?
David 'Dave' Garver: Yeah, you met her at my house the other day.
Al Monte: Ooooo - chicken delight! Well that's what I call some pretty good smotherin' cousin.
- Alternative VersionenThe version shown on American commercial network TV had the entire "The First Time Ever I Saw Your Face" sequence re-shot to remove the sex scene. Instead, what was shown as the song played was simply scenes of Eastwood and Donna Mills walking in the forest. The very brief sex scene between Eastwood and Jessica Walter was also eliminated.
- VerbindungenFeatured in Terror im Parkett (1984)
- SoundtracksMisty
Composed and Performed by Erroll Garner
Eastwood invades Hitchcock territory with this film, which it turns out was indeed a harbinger of the course his career would take from this point on, that of directing and starring in his own movies. With this one, it's apparent that he had that special touch from the beginning; he knows unequivocally what he likes, what works and how to deliver it. The only weakness in the film (if you can even call it a weakness), would be the use of longshots during a couple of scenes between Garver and Tobie that take place on the coast. It adds a scenic vista for a backdrop, but listening to the dialogue with the actors in the distance gives it a dialogue-added-later feeling. It's a minor flaw, however, that takes nothing away from the overall impact of the film, especially as Eastwood establishes a deliberate pace that allows the tension to mount throughout.
It would seem that for an actor to direct himself would be a monumental undertaking, especially the first time, but Eastwood proves here what has been corroborated over the years and with his films since, that he is his own best director. And it's a club to which few actor/directors belong, which puts him in the elite company of Welles, Branagh and most recently, Ed Harris (with `Pollock'), just to name a few of the select. As Garver, a minor celebrity whose biggest fan turns out to be his worst nightmare, Eastwood is thoroughly convincing, and though this may not be one of his most memorable roles, it is certainly well acted, and delivered with that subtle Eastwood charm.
Jessica Walter combines just the right amount of beauty, charm and menace for her role of Evelyn, which just may be her most memorable performance ever. She creates a character who is smoothly confident, if slightly vulnerable, and prone to instantaneous bursts of psychotic anger. It's an honest portrait of an extremely disturbed individual with the ability to conceal the true nature-- and danger-- of her mental state. Exceptionally well realized by Walter, Evelyn could be the older sister of Stephen King's Annie in `Misery,' a role for which Kathy Bates received an Oscar for Best Actress some twenty years after Walter inhabited the body of Evelyn.
The supporting cast includes John Larch (Sergeant McCallum), Jack Ging (Frank), Irene Hervey (Madge), James McEachin (Al Monte), Clarice Taylor (Birdie) and Don Siegel (Murphy). A film that will have you on the edge of your seat by the end, `Play Misty for Me' withstands the test of time and works every bit as well today as when it was originally released. A tale from the dark side, it's engrossing entertainment that may give you second thoughts about that casual acquaintance you've just invited to your house for dinner. Eastwood chose a perfect setting for his film, using one of the most beautiful spots along the California coast as a background against which to contrast the grisly events of the story. It all adds up to a wild ride for the audience, and an auspicious debut for Eastwood as the Man Behind the Camera. I rate this one 8/10.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Tödliche Melodie
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 725.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.600.000 $
- Weltweiter Bruttoertrag
- 10.600.000 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1