Die Liebesmaschine

Originaltitel: The Love Machine

1971
16
1 Std. 48 Min.

IMDb-BEWERTUNG

4,8/10

443

IHRE BEWERTUNG

An ambitious TV newscaster has an affair with the wife of a network executive to get a promotion.

trailer wiedergeben0:53

1 Video

43 Fotos

Drama

Füge eine Handlung in deiner Sprache hinzuAn ambitious TV newscaster has an affair with the wife of a network executive to get a promotion.An ambitious TV newscaster has an affair with the wife of a network executive to get a promotion.An ambitious TV newscaster has an affair with the wife of a network executive to get a promotion.

Regie
- Jack Haley Jr.
Drehbuch
- Jacqueline Susann
- Samuel A. Taylor
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

4,8/10

443

IHRE BEWERTUNG

Regie
- Jack Haley Jr.
Drehbuch
- Jacqueline Susann
- Samuel A. Taylor
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

Videos1

Trailer 0:53

Trailer

Fotos43

+ 37

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Handlung

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Wissenswertes
The painting that Robin Stone (John Phillip Law) studies in Gregory Austin's office is Pablo Picasso's work "Sleeping Drinker" (1901).

Patzer
When Danton is in the control booth for Christie's first show, Danton's mouth movements don't match the words when he says, "I hope he was funnier than he was in rehearsals."

Zitate
Jerry Nelson: Dearheart! I am handy, aren't I? She beginning to crowd you already? Ah, my Robin you do play rough. Have you ever felt anything for anyone? I don't mean just girls, I mean a friend?
Robin Stone: I wouldn't know. I never had one.
Jerry Nelson: Not even me? Oh, Robin...
Robin Stone: The thing I like about you, Jerry, is that you never make a pass.
Jerry Nelson: I'm biding my time.

Verbindungen
Features Vor Blondinen wird gewarnt (1931)

Soundtracks
He's Moving On
Music by Bryan Wells
Lyrics by Ruth Batchelor
Sung by Dionne Warwick
[Played during both the opening and closing credits]

Benutzerrezensionen21

Rezension

Ausgewählte Rezension

5/10

At least one good performance

Even though this film was nothing special as such, I am drawn to comment on at least one factor that ruled in its favour - that of the lead female performer in the film, Dyan Cannon. In spite of the film's ridiculous storyline and what she goes through here, hers was the best acting job in the film, making the unbelievable seem more plausible. Her raucous scene with the gay photographer David Hemmings has to be seen to be believed. Good work, Dyan.