Zwei Männer, ein ordentlicher Freak und eine von ihren Frauen getrennte Schlampe, müssen trotz ihrer Unterschiede zusammenleben.Zwei Männer, ein ordentlicher Freak und eine von ihren Frauen getrennte Schlampe, müssen trotz ihrer Unterschiede zusammenleben.Zwei Männer, ein ordentlicher Freak und eine von ihren Frauen getrennte Schlampe, müssen trotz ihrer Unterschiede zusammenleben.
- 3 Primetime Emmys gewonnen
- 6 Gewinne & 14 Nominierungen insgesamt
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Handlung
WUSSTEST DU SCHON:
- WissenswertesThe part of Oscar's (Jack Klugman) ex-wife Blanche was played by Brett Somers, Klugman's own wife. The real-life couple were separated during the run of the show.
- PatzerIn the opening credits for the entire series, the type of luggage Felix is carrying changes. When he is indoors (leaving his apartment or arriving at Oscar's) he is carrying a white suitcase. But when he is walking outside he is not carrying the white suitcase.
- Zitate
Felix Unger: [to woman on witness stand] Ah... you *assumed*. My dear, you should never *assume*. You see, when you *assume*
[writes the word "assume" on a blackboard]
Felix Unger: , you make an *ass*... out of *you*... and *me*.
- VerbindungenFeatured in The 23rd Annual Primetime Emmy Awards (1971)
Ausgewählte Rezension
Great comedic concept from Neil Simon—the slob and the neat freak, two divorced men living together in a small Manhattan apartment. But it's really Klugman and Randall that make the premise work so well—their chemistry is simply superb. Klugman seems a natural for Oscar the slob, with his sour expression and grouchy manner. Then there's Randall as Felix, with his no-fat body and absurdly picky manner. You just know he never played with mud pies or put on dirty socks.
It's amazing the writers get so many hilarious variations on the same theme—Felix carrying on with his finicky obsessions to an annoying degree. He just can't seem to help himself. At the same time, we can't help sympathizing with poor Oscar who retaliates by turning his bedroom into a city dump. Actually actor Randall pulls off a really difficult trick: he manages to make Felix annoying without being dislikable. Any hint of the latter and the show would have fallen flat.
And who can forget the superb supporting cast, especially hawk-nosed Al Molinaro as Murray, the New York City policeMAN. He fits amiably right in with whatever the shenanigans might be, maybe too amiably for a cop. Then there're the rest of the poker playing characters, plus the girls led by Klugman's real life wife Brett and Father Knows Best's Elinor Donahue. Since nearly all the hijinks occur in the small apartment, the writers have their work cut out for them, and rise to the occasion they do, with only an occasional misfire. My favorite parts are when some poor put-upon old lady gets enough of Felix's extremes and swats him with her purse—he always looks so surprised, like he can't figure out why. Anyway, it's one of the best character-based comedies of the 70's or any TV decade.
It's amazing the writers get so many hilarious variations on the same theme—Felix carrying on with his finicky obsessions to an annoying degree. He just can't seem to help himself. At the same time, we can't help sympathizing with poor Oscar who retaliates by turning his bedroom into a city dump. Actually actor Randall pulls off a really difficult trick: he manages to make Felix annoying without being dislikable. Any hint of the latter and the show would have fallen flat.
And who can forget the superb supporting cast, especially hawk-nosed Al Molinaro as Murray, the New York City policeMAN. He fits amiably right in with whatever the shenanigans might be, maybe too amiably for a cop. Then there're the rest of the poker playing characters, plus the girls led by Klugman's real life wife Brett and Father Knows Best's Elinor Donahue. Since nearly all the hijinks occur in the small apartment, the writers have their work cut out for them, and rise to the occasion they do, with only an occasional misfire. My favorite parts are when some poor put-upon old lady gets enough of Felix's extremes and swats him with her purse—he always looks so surprised, like he can't figure out why. Anyway, it's one of the best character-based comedies of the 70's or any TV decade.
- dougdoepke
- 8. Juni 2013
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By what name was Männerwirtschaft (1970) officially released in India in English?
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