Füge eine Handlung in deiner Sprache hinzuA Texas town's council fires the town's old-fashioned marshal who refuses to resign, thus leading to violence from both sides.A Texas town's council fires the town's old-fashioned marshal who refuses to resign, thus leading to violence from both sides.A Texas town's council fires the town's old-fashioned marshal who refuses to resign, thus leading to violence from both sides.
- Luke Mills
- (as James Lydon)
Handlung
WUSSTEST DU SCHON:
- WissenswertesStar Richard Widmark and original director Robert Totten had "artistic differences," and Totten was replaced by Don Siegel. When the film was completed, Siegel, saying that Totten directed more of the film than he did, refused to take screen credit for it, but Widmark didn't want Totten's name on it. A compromise was reached whereby the film was credited to the fictitious "Alan Smithee" (originally to be called Al Smith, but the DGA said there had already been a director by that name), thereby setting a precedent for directors who, for one reason or another, did not want their name on a film they made.
- PatzerNear the end of the film you can see the electrical wires running (presumably buried for most of their length under the differently-coloured soil) to a man's body as he is 'shot'; the last yard or so of wire -which is presumably for the gunshot SFX- is clearly visible running towards the man's ankles.
- Zitate
Wil Oxley: Why did my father kill himself?
Marshal Frank Patch: I don't know, son.
Wil Oxley: Tell me! Tell me!
Marshal Frank Patch: A long time ago, a man was killed... shot in the back.
Wil Oxley: My father did it?
Marshal Frank Patch: Nobody knew for sure who did it.
Wil Oxley: You knew. Why didn't he hang?
Marshal Frank Patch: There was nothing to be gained by hanging. The dead man had a child - a son. Your father agreed to raise him as his own.
- VerbindungenFeatured in Who Is Alan Smithee? (2002)
It carries with it some historical cinematic value in that it was the first time the name Alan Smithee was seen on the directing credits. A name that come to be associated with films where the director who worked on it wanted his name off of the credits. Here it was Don Siegel, who only came in for the last two weeks of filming after Widmark and Totten fell out. The finished product, whilst no duffer, is still a lukewarm experience, not helped by the fact that the theme at its core has been done considerably better in other Western offerings. On the plus side there is Widmark stoically giving his anachronism role some real emotional depth, and the finale does not want for dramatic impact. But it plays out like a TV movie, with no visual flourishes, and the cosmopolitan make up of the townsfolk is not utilised to aid the story. 6/10
- hitchcockthelegend
- 27. Juli 2011
- Permalink
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Details
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1