Kiss Her Goodbye

1959
1 Std. 34 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Füge eine Handlung in deiner Sprache hinzuPsychological tale about the disintegration of a young woman's sanity.Psychological tale about the disintegration of a young woman's sanity.Psychological tale about the disintegration of a young woman's sanity.

Regie
- Albert Lipton
Drehbuch
- Alan Marcus
- H. William Miller
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,6/10

221

IHRE BEWERTUNG

Regie
- Albert Lipton
Drehbuch
- Alan Marcus
- H. William Miller
Hauptbesetzung

13Benutzerrezensionen

Siehe Produktionsinformationen bei IMDbPro

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Handlung

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Wissenswertes
Was filmed in Cuba and confiscated due to the Fidel Castro takeover of the country. As such, it was released later than planned.

Patzer
At one point, the sister trashes the door to her motel room. When we see it a short while later, it's pristine. That fly-by-night motel must have some handyman.

Zitate
[last lines]
Sheriff Skinner: [about finding out who killed Corey] Look, Mr. Wilson, I'm a law enforcement officer, not a philosopher, not a preacher, and a law enforcement officer's gotta take sort of a straightforward view of things. So now, I think we better go and talk with your sister, Mr. Wilson.

Soundtracks
Kiss Her Goodbye
Lyrics by Irving Reid
Music by Johnny Richards
Sung by David Allen
Featuring Ray Copeland (trumpet), Jimmy Cleveland (trombone), Charli Persip (as Charlie Persip) (drums), Frank Socolow (tenor sax), Phil Woods (alto sax)
Recorded by Warner Bros. Records
[Played on the jukebox in the diner]

Benutzerrezensionen13

Rezension

Ausgewählte Rezension

7/10

Unique

The late 1950s appear to be the age of the child-woman, from "La Strada" (1954) and "Baby Doll" (1956) to "Lolita" (1962) and "Term of Trial" (1962). Smack in the middle, we find this adaptation of a pulp novel by Wade Miller, introducing Sharon Farrell to a long career in TV and movies. Her brother, Steven Hill explains that she has the mind of a six-year old. All the characters are very unusual, but the skillful cast brings them to life in a slow developing but intriguing plot. Oddly, it was director Albert Lipton's only effort. The talented musician, Johnny Richards, also had a brief career. Farrell, who was married several times, worked with her first husband here, Andrew Prine. Did life follow art? This was 94 well spent, but somewhat mystifying, minutes. What exactly was wrong with her?