IMDb-BEWERTUNG
6,9/10
3018
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe black sheep of a family and the local minister discover their true vocations during the Revolutionary War.The black sheep of a family and the local minister discover their true vocations during the Revolutionary War.The black sheep of a family and the local minister discover their true vocations during the Revolutionary War.
- Nominiert für 1 BAFTA Award
- 1 Nominierung insgesamt
Neil McCallum
- Christie Dudgeon
- (as Neil Mc Callum)
Joe Beckett
- British Officer
- (Nicht genannt)
Steven Berkoff
- British Corporal
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe character of The Reverend Anthony Anderson was loosely based on the historical figure of Peter Muhlenberg, known as the "Fighting Parson of the American Revolution".
- PatzerSeveral times while going through the forest, the British refer to "snipers." However, the term sniper didn't come into being until about 40 years after the American Revolutionary War. The term came into usage in 1824, while the war ended in 1783.
- Zitate
Major Swindon: What will history say, sir?
General John Burgoyne: History, sir, will tell lies, as usual!
- Crazy CreditsThe opening credits appear over a map of North America during the Revolutionary War, which then zooms into an animated battle played out by paper models.
- VerbindungenReferenced in Anruf genügt - komme ins Haus (1960)
- SoundtracksYankee Doodle
(uncredited)
traditional 18th Century Anglo-American folk song
Heard under main title
Ausgewählte Rezension
Having seen The Devil's Disciple on a venue that runs films which have fallen into the public domain, I wonder how anyone could have let copyright lapse on such an intriguing, yet quirky, film as this. With it's triumvirate of strong leading men, and an interesting script, this movie should be much more well known. And with it's rather oddball presentation it's surprising that it does not have cult status.
The live action segments are excellent, and there is no slack in the acting or direction. However, some poor soul made the bizarre decision to interject little Rankin-Bass type puppet animation segments at nearly random moments, thoroughly negating - each time - all the dramatic momentum that has been accumulated up to that point. The animated segments are well done, and moderately amusing in and of themselves, yet completely incongruous to the tone of the surrounding film.
These segments are, however, a minor flaw when compared with the greatest drawback of this movie. I am referring to the character of Judith Anderson, our hero's wife. She is, without a doubt, the most annoyingly fickle and foolish female character that I can recall having ever witnessed in any film; and very nearly the most hysterical as well. Not too far into the story I began to get the feeling that I would very much like to slap her. Halfway through the film I was consciously rooting for each of the male leads to take a turn slapping her. By the end of the film I was convinced that everyone in the film should have slapped her, and probably the crew as well! The only thing that made this character bearable was the calm, good-natured presence of Lancaster, Douglas, and Olivier.
Now, this is not intended to denigrate Miss Janette Scott, who portrayed Mrs. Anderson. On the contrary, she did a remarkable job of making this over-the-top hysterical woman seem real. A lesser actress might have easily come off as overly melodramatic and phony in such an extreme performance. Her skill in the performance is the reason that we want to slap her. Kudos to Janette Scott. It is my opinion that almost everyone who watches this film will, in fact, want to slap her. Be prepared.
The live action segments are excellent, and there is no slack in the acting or direction. However, some poor soul made the bizarre decision to interject little Rankin-Bass type puppet animation segments at nearly random moments, thoroughly negating - each time - all the dramatic momentum that has been accumulated up to that point. The animated segments are well done, and moderately amusing in and of themselves, yet completely incongruous to the tone of the surrounding film.
These segments are, however, a minor flaw when compared with the greatest drawback of this movie. I am referring to the character of Judith Anderson, our hero's wife. She is, without a doubt, the most annoyingly fickle and foolish female character that I can recall having ever witnessed in any film; and very nearly the most hysterical as well. Not too far into the story I began to get the feeling that I would very much like to slap her. Halfway through the film I was consciously rooting for each of the male leads to take a turn slapping her. By the end of the film I was convinced that everyone in the film should have slapped her, and probably the crew as well! The only thing that made this character bearable was the calm, good-natured presence of Lancaster, Douglas, and Olivier.
Now, this is not intended to denigrate Miss Janette Scott, who portrayed Mrs. Anderson. On the contrary, she did a remarkable job of making this over-the-top hysterical woman seem real. A lesser actress might have easily come off as overly melodramatic and phony in such an extreme performance. Her skill in the performance is the reason that we want to slap her. Kudos to Janette Scott. It is my opinion that almost everyone who watches this film will, in fact, want to slap her. Be prepared.
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- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- The Devil's Disciple
- Drehorte
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- Budget
- 1.500.000 $ (geschätzt)
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Der Teufelsschüler (1959) officially released in India in English?
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