Der Satan mit den 1000 Masken

Originaltitel: How to Make a Monster

1958
16
1 Std. 13 Min.

IMDb-BEWERTUNG

5,5/10

1589

IHRE BEWERTUNG

trailer wiedergeben2:01

1 Video

99+ Fotos

Horror Sci-Fi

Füge eine Handlung in deiner Sprache hinzuWhen a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,5/10

1589

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Wissenswertes
This film was advertised with the tagline "See the Ghastly Ghouls... IN FLAMING COLOR!" However, most of it was in black and white with only the final two reels in color.

Patzer
The visitors to the studio are told they are about to visit the set of Das schwarze Museum (1959). That film, which was also produced and written by Herman Cohen, was actually filmed in England, not in the U.S.

Zitate
Jeffrey Clayton: [Surprised that Pete has declined severance pay] Turn down money? Maybe you've been living too long with these monsters!
Pete Dumond: Sometimes I find them better company than humans.

Verbindungen
Featured in Aweful Movies with Deadly Earnest: How to Make a Monster (1970)

Soundtracks
You've Got to Have Ee-Ooo
Lyrics by Skip Redwine
Music by Paul Dunlap
Sung by John Ashley

Benutzerrezensionen50

Rezension

Ausgewählte Rezension

6/10

A must for American International Fans

I just finished watching the "Cult Classics" DVD release, which included the color footage mentioned in the other comment. Besides many familiar (and unfamiliar) monster heads, the film is a virtual who's who of American International Studio players from the 50's. One can almost suspect the movie was made to keep the contact players busy between films. If only Michael Landon had appeared as the Teenage Werewolf, I would have given it another couple points in the ratings. One also has to give the studio credit as the studio itself becomes the "back lot" for the film. And certainly, the plot of killing off studio executives must have appealed to all the writers, actors and production staff making the film.