Die Nächte der Cabiria

Originaltitel: Le notti di Cabiria

1957
Not Rated
1 Std. 50 Min.

IMDb-BEWERTUNG

8,1/10

53.241

IHRE BEWERTUNG

Giulietta Masina in Die Nächte der Cabiria (1957)

The new 4K restoration of Federico Fellini's NIGHTS OF CABIRIA, starring Giulietta Masina, opens April 17 at New York's Film Forum! Winner of the 1957 Academy Award for Best Foreign Language Film. rialtopictures.com

trailer wiedergeben1:28

1 Video

91 Fotos

Tragedy Drama

Eine spindeldürre Prostituierte wandelt, auf der Suche nach der wahren Liebe, durch die Straßen von Rom und findet doch nur Liebeskummer.Eine spindeldürre Prostituierte wandelt, auf der Suche nach der wahren Liebe, durch die Straßen von Rom und findet doch nur Liebeskummer.Eine spindeldürre Prostituierte wandelt, auf der Suche nach der wahren Liebe, durch die Straßen von Rom und findet doch nur Liebeskummer.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

8,1/10

53.241

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

1 Oscar gewonnen
- 17 Gewinne & 7 Nominierungen insgesamt

Oscar D'Onofrio
(as François Perier)

Franca Marzi

Wanda

Dorian Gray

Jessy

Aldo Silvani

The wizard

Ennio Girolami

Amleto, 'il magnaccia'

Mario Passante

Uncle of Amleto

Christian Tassou

Amedeo Nazzari

Alberto Lazzari

Gianni Baghino

Franco Balducci

Spectator on the Stage of the Cinema
(Nicht genannt)

Ciccio Barbi

Man on the Stage
(Nicht genannt)

Luciano Bonanni

Pascello
(Nicht genannt)

Jusy Boncinelli

Loretta Capitoli

Rosy
(Nicht genannt)

Amerigo Castrighella

Hypnotised man
(Nicht genannt)

Leo Catozzo

The Man with the Sack
(Nicht genannt)

Dominique Delouche

Priest with the Flag
(Nicht genannt)

Mehr wie diese

8,0

7,3

7,9

8,0

7,7

Die mit der Liebe spielen

8,1

Schlacht um Algier

7,4

Ich habe keine Angst

8,2

Rocco und seine Brüder

7,8

7,9

8,0

6,9

Handlung

Ändern

WUSSTEST DU SCHON:

Ändern

Wissenswertes
Federico Fellini cast film editor Leo Catozzo as the "man with the sack" and wanted to keep that sequence in the release print over the objections of producer Dino De Laurentiis. De Laurentiis thought the scene slowed the film down and finally resorted to stealing the scene from the editing room. According to DeLaurentiis, about 5-7 years after its original release, Fellini rang him and begged to get the scene back, so he could restore it. As the movie had now achieved a classic status, the producer agreed.

Patzer
When the pilgrims pass Cabiria in the night, there is a closeup of the naked feet of the women. On the following wide shot, the women are wearing shoes.

Zitate
Maria 'Cabiria' Ceccarelli: [in Italian]
[to Oscar]
Maria 'Cabiria' Ceccarelli: Guess there's some justice in the world. You suffer, you go through hell. Then happiness comes along or everyone.

Alternative Versionen
Nights of Cabiria has been available in videos in the original version. The Rialto Pictures 1998 version, released in theaters in 1998, restores a scene showing a mystery man with a sack delivering food and blankets to people sheltered in holes. The 1998 version restored picture and sound, has a new translation, and is available from The Criterion Collection (DVD) and Homevision Cinema (DVD). Update 2019: The film has been restored in 4K from the interpositive and is now available for the first time on home video in a Blu Ray version that is comparable to a good 35mm print.

Verbindungen
Featured in Decoy: Ladies Man (1958)

Soundtracks
Lla Ri' Lli Ra
Composed by Nino Rota
Lyrics by Enzo Bonagura

Benutzerrezensionen144

Rezension

Ausgewählte Rezension

10/10

on the timelessness of Fellini's overlooked masterpiece

As a film-lover, there are movies that I've outgrown, movies that disappointingly lose their connection to me as I age and mature. Fellini's "Le Notti di Cabiria" is one of those movies that seems to grow with me. It grows richer with each yearly viewing. I never tire of it; I am moved in different ways each time I see it. Fellini and his amazing muse, Giulietta Masina, created one of those rare movie masterpieces in 1957 that comments on its time, yet remains fresh and contemporary as well. But I lament that this gem is so little known today. I trust its recent restoration will help remedy the movie-going public's oversight. The film's rich concluding scene alone (and Masina's glance into our eyes) remains one of the most magical moments ever projected on a screen.