Füge eine Handlung in deiner Sprache hinzuA "confidence couple" pose as husband and wife while attempting a bank heist.A "confidence couple" pose as husband and wife while attempting a bank heist.A "confidence couple" pose as husband and wife while attempting a bank heist.
Robert H. Harris
- Zimmer
- (as Robert Harris)
Florenz Ames
- Dutch Paulmeyer
- (Nicht genannt)
Louise Arthur
- Alice Loxley
- (Nicht genannt)
Roscoe Ates
- Falkenburg
- (Nicht genannt)
Valentin de Vargas
- Gas Station Attendant
- (Nicht genannt)
Melody Gale
- Bitsy
- (Nicht genannt)
Terry Kelman
- Bennie Loxley
- (Nicht genannt)
James Nolan
- Police Sgt. Waldo Harris
- (Nicht genannt)
Voltaire Perkins
- Flood's Attorney
- (Nicht genannt)
Jack Shea
- Joe Stancil
- (Nicht genannt)
Ray Teal
- Real Estate Broker
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe radio announcement during the BBQ dinner scene was made through a Zenith Trans-Oceanic 600 Series Portable Radio. These radios were known for their heavy-duty, high-quality construction and their performance as shortwave receivers.
- PatzerWhen Frank Harper (Rory Calhoun) is driving in the opening scenes, camera views of him from in front of the car through the windshield show the car to have no rearview mirror. Later, the scene shifts showing the driver from the rear, and the rearview mirror has appeared with Calhoun's face clearly visible in it.
Removing the rear-view mirror is a filming technique; it is not considered a Goof.
Ausgewählte Rezension
The Big Caper (1957)
Fabulous. Here's where having unknown talent and a plot about ordinary folk really gels into something genuine, without glitz and without the high production values that are terrific in the best crime noirs but are also so slick they become something more and also less. "The Big Caper" obviously has aspirations, beginning with the title (one of the great "Big xxx" films like "The Big Heat" and "The Big Combo" and "The Big Sleep"). And it doesn't let up, or let down.
By the end this is a heist film through and through, but the curious part is the core central part where a couple, with criminal intentions, sets up a normal seeming life in a small and unsuspecting town. But the woman of this pair is married to another man, who happens to be the mastermind of the whole affair. Things go wonderfully right for awhile, and romance blossoms as well as a clever and huge (and simple) robbery. But of course things also go wrong.
All of this is unfolded in an idealized American town, and that's part of the fun. When some of the smaller characters in the crime arrive, they are glaringly out of place. I smelled hints of sexual weirdness (including some possible S&M stuff with a strange blonde guy) and of course there's the conflict between the two leading men and the leading woman. Like Kubrick's "The Killing," a nearly contemporary heist film, this isn't about getting caught at all, but just about the inside workings of some small time thugs with a very big and bad dream. If Kubrick's film is better technically, and has some acting that rises above (several key players are terrific), this one rises up on its quieter simplicity, and on some very solid and less sensational acting.
And on a great job pulling it together. Robert Stevens did mostly television, including a whole series for Alfred Hitchcock t.v., and among his handful of feature films this is probably the best. Nicely filmed with lots of convincing (and real) night stuff, and edited tightly, it never flags. If the ending is a little too sweet, remember this isn't Kubrick after all. But good stuff.
Fabulous. Here's where having unknown talent and a plot about ordinary folk really gels into something genuine, without glitz and without the high production values that are terrific in the best crime noirs but are also so slick they become something more and also less. "The Big Caper" obviously has aspirations, beginning with the title (one of the great "Big xxx" films like "The Big Heat" and "The Big Combo" and "The Big Sleep"). And it doesn't let up, or let down.
By the end this is a heist film through and through, but the curious part is the core central part where a couple, with criminal intentions, sets up a normal seeming life in a small and unsuspecting town. But the woman of this pair is married to another man, who happens to be the mastermind of the whole affair. Things go wonderfully right for awhile, and romance blossoms as well as a clever and huge (and simple) robbery. But of course things also go wrong.
All of this is unfolded in an idealized American town, and that's part of the fun. When some of the smaller characters in the crime arrive, they are glaringly out of place. I smelled hints of sexual weirdness (including some possible S&M stuff with a strange blonde guy) and of course there's the conflict between the two leading men and the leading woman. Like Kubrick's "The Killing," a nearly contemporary heist film, this isn't about getting caught at all, but just about the inside workings of some small time thugs with a very big and bad dream. If Kubrick's film is better technically, and has some acting that rises above (several key players are terrific), this one rises up on its quieter simplicity, and on some very solid and less sensational acting.
And on a great job pulling it together. Robert Stevens did mostly television, including a whole series for Alfred Hitchcock t.v., and among his handful of feature films this is probably the best. Nicely filmed with lots of convincing (and real) night stuff, and edited tightly, it never flags. If the ending is a little too sweet, remember this isn't Kubrick after all. But good stuff.
- secondtake
- 2. Juni 2011
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Den stora kuppen
- Drehorte
- 1400 North Hayworth Avenue, West Hollywood, Kalifornien, USA(Hollywood Rivera Apartments where Kay meets Flood, Roy, Harry and Doll)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 24 Minuten
- Farbe
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