IMDb-BEWERTUNG
6,3/10
8295
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe first U.S. spaceship to Venus crash-lands off the coast of Sicily on its return trip. A dangerous, lizard-like creature comes with it and quickly grows gigantic.The first U.S. spaceship to Venus crash-lands off the coast of Sicily on its return trip. A dangerous, lizard-like creature comes with it and quickly grows gigantic.The first U.S. spaceship to Venus crash-lands off the coast of Sicily on its return trip. A dangerous, lizard-like creature comes with it and quickly grows gigantic.
Thomas Browne Henry
- Maj. Gen. A.D. McIntosh
- (as Thomas B. Henry)
Bart Braverman
- Pepe
- (as Bart Bradley)
Sid Cassel
- Farmer
- (Nicht genannt)
Neil Collins
- Technician
- (Nicht genannt)
Paul Cristo
- Police Officer
- (Nicht genannt)
Noel Drayton
- 1st Reuters News Correspondent
- (Nicht genannt)
Darlene Fields
- Miss Reynolds
- (Nicht genannt)
Duke Fishman
- Fisherman
- (Nicht genannt)
Michael Garth
- Minor Role
- (Nicht genannt)
Ray Harryhausen
- Man Feeding Elephant
- (Nicht genannt)
Ronald Hyde
- Policeman Shooting Flamethrower
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was originally going to be set in Chicago, with the rocket crashing in Lake Michigan. Right before submitting the idea to producer Charles H. Schneer, Ray Harryhausen decided to change the setting to Italy at the last minute, after deciding that he always wanted to go on vacation there.
- PatzerThe General, fearing that the space ship has sunk, points to a body of water on the map and says that the lost astronauts are now "20,000 leagues under the sea." Of course, it's a coy reference to the recent sci-fi flick 20000 Meilen unter dem Meer (1954) (and Jules Verne's novel). However, a league is about 3 miles; no ship could sink 60,000 miles under the sea since the earth isn't that large. The Verne title refers to the amount of miles traveled under the sea, not how deep the craft was operating. So the General has made a geographical error while trying to make a hip quip.
- Zitate
Dr. Judson Uhl: You better tell them we're in a hurry and to roll up the red tape and put it into a drawer until this thing is over!
- Crazy CreditsOpening credits prologue: A FISHING VILLAGE IN SICILY
- Alternative VersionenMany local TV stations delete the scene in which the Ymir kills an elephant from a zoo, claiming the scene is a needless depiction of cruelty to animals.
- VerbindungenEdited from Der Tag, an dem die Erde stillstand (1951)
Ausgewählte Rezension
Let's state the obvious right off the bat. If it weren't for the stop-motion animation in this film, it would be simply awful. Awful acting, awful script, mediocre direction, this film has it all.
But once the monster appears on screen, none of that matters. Ray Harryhausen's animation is, as always, simply spellbinding, giving the monster, paradoxically, both a heightened reality (as it really is a physical object photographed in "real life") and a dreamlike quality. It's easy to see how Harryhausen's work set the standards for monster special effects until Star Wars and computer animation came along many years later.
This film is a particularly good example of his work for a number of reasons. There's only one monster (unlike the Sinbad/Jason/Titans movies), so all his effort is spent on that one "character". The monster also starts out small and grows huge by the end of the movie, allowing us to see it in a variety of settings. And, the fact that it's a humanoid (rather than a dinosaur or big octopus) allows it to "act" in a much more expressive manner (not unlike the original Kong).
So while this movie may qualify as little more than "MST3K" fodder as a science fiction work (did I mention how truly awful the script is?), as a piece of animation, it's a pure classic, deserving a space on your shelf next to King Kong, Snow White and Fantasia.
But once the monster appears on screen, none of that matters. Ray Harryhausen's animation is, as always, simply spellbinding, giving the monster, paradoxically, both a heightened reality (as it really is a physical object photographed in "real life") and a dreamlike quality. It's easy to see how Harryhausen's work set the standards for monster special effects until Star Wars and computer animation came along many years later.
This film is a particularly good example of his work for a number of reasons. There's only one monster (unlike the Sinbad/Jason/Titans movies), so all his effort is spent on that one "character". The monster also starts out small and grows huge by the end of the movie, allowing us to see it in a variety of settings. And, the fact that it's a humanoid (rather than a dinosaur or big octopus) allows it to "act" in a much more expressive manner (not unlike the original Kong).
So while this movie may qualify as little more than "MST3K" fodder as a science fiction work (did I mention how truly awful the script is?), as a piece of animation, it's a pure classic, deserving a space on your shelf next to King Kong, Snow White and Fantasia.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Die Bestie aus dem Weltraum
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 22 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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What is the Spanish language plot outline for Die Bestie aus dem Weltenraum (1957)?
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