Das Narrenschiff

Originaltitel: Ship of Fools

1965
12
2 Std. 29 Min.

IMDb-BEWERTUNG

7,1/10

7160

IHRE BEWERTUNG

Home Video Trailer from Sony Pictures Home Entertainment

trailer wiedergeben3:32

1 Video

86 Fotos

Drama Romance War

Füge eine Handlung in deiner Sprache hinzuA varied group of passengers boarding a ship bound for pre-WWII Germany represents a microcosm of early-1930s society.A varied group of passengers boarding a ship bound for pre-WWII Germany represents a microcosm of early-1930s society.A varied group of passengers boarding a ship bound for pre-WWII Germany represents a microcosm of early-1930s society.

Regie
- Stanley Kramer
Drehbuch
- Katherine Anne Porter
- Abby Mann
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,1/10

7160

IHRE BEWERTUNG

Regie
- Stanley Kramer
Drehbuch
- Katherine Anne Porter
- Abby Mann
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

2 Oscars gewonnen
- 5 Gewinne & 13 Nominierungen insgesamt

Wissenswertes
Vivien Leigh was subject to bouts of depression and alcoholism and was abrasive to fellow actors. There was a rocky start to her relationship with Lee Marvin, complaining about his stale alcohol breath. Eventually, the two became highly unlikely good friends.

Patzer
Although set in 1933, the hairstyles and costumes are decidedly mid-1960s.

Zitate
Rieber: Lowenthal, you know it is a historical fact that the Jews are the basis of our misfortunes.
Lowenthal: Of course.
Rieber: You agree?
Lowenthal: Of course. The Jews and the bicycle riders.
Rieber: The bicycle riders? Why the bicycle riders?
Lowenthal: Why the Jews?

Verbindungen
Edited into Spisok korabley (2008)

Soundtracks
Heute abend geh'n wir bummeln auf der Reeperbahn
Music by Ernest Gold
Lyrics by Jack Lloyd

Benutzerrezensionen89

Rezension

Ausgewählte Rezension

7/10

The Love Boat as told by Ambrose Bierce

A modernist morality tale with several different dark, sardonic stories. It creates a strange mood with its post WWII sensibility superimposed on pre-Nazi German culture. It's like The Love Boat as told by Ambrose Bierce. The best story revolves around Oskar Werner as he takes care of Simone Signoret. He sits at her bedside and listens with his head at a ridiculous angle to show his complete understanding - their situations are parallel, but their compositions are worlds apart. His slow slide into oblivion is fascinating to watch.

But the best performance belongs to Vivien Leigh in her final film role. She is absolutely stunning as "the 46-year old coquette" (as Werner Klemperer puts it). It's a terrible tragedy that she was not able to make very many movies in her career.

However, I have never cared for George Segal or Elizabeth Ashley and they weaken the film - particularly Segal who seems overmatched by the other members of the cast. But I did enjoy the rest of the movie and it's well worth getting through their story to see it.