IMDb-BEWERTUNG
6,9/10
7564
IHRE BEWERTUNG
Ein Hypochonder glaubt, dass er im Sterben liegt, und schmiedet Pläne für seine Frau, die sie entdeckt und missversteht.Ein Hypochonder glaubt, dass er im Sterben liegt, und schmiedet Pläne für seine Frau, die sie entdeckt und missversteht.Ein Hypochonder glaubt, dass er im Sterben liegt, und schmiedet Pläne für seine Frau, die sie entdeckt und missversteht.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
John Alban
- Commuter
- (Nicht genannt)
Don Anderson
- Country Club Member
- (Nicht genannt)
Shirley Anthony
- Country Club Member
- (Nicht genannt)
Herschel Bernardi
- TV Announcer
- (Synchronisation)
- (Nicht genannt)
Paul Bradley
- Country Club Member
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesGene Kelly was originally signed to direct, but exited when he failed to get Warren Beatty and then Bobby Darin to star.
- PatzerWhen Dr. Morrissey is delivering fish to Judy, she mentions that George is dying. Dr. Morrissey starts laughing and sits down, taking his glasses off. In the next shot the glasses are back on.
- Zitate
George Kimball: When a man's wife thinks he's having an affair, how can he convince her he's not?
Arnold Nash: He can't.
George Kimball: But I'm not having one!
Arnold Nash: Doesn't make any difference.
George Kimball: Isn't a man innocent until proven guilty?
Arnold Nash: Look, you're dealing with your wife. You can forget the Constitution.
- Crazy CreditsOpening credits prologue: "The desire to take medicine is perhaps the greatest feature which distinguishes man from animals." Sir William Osler
- VerbindungenFeatured in The Beverly Hillbillies: Jed Becomes a Movie Mogul (1964)
Ausgewählte Rezension
Rock Hudson is in his element here--a situation comedy that's got some clever lines built around the theme that he's a hypochondriac who mistakenly believes he has only a few weeks to live--and wants to put certain issues in order believing that his wife needs another man as soon as he's gone. The "other man" that he and Tony Randall choose turns out to be Clint Walker, his wife's old flame from school days.
With the help of a fairly amusing script and some well played bits by Paul Lynde (as a dedicated undertaker) and Edward Andrews (as a doctor who thinks the specialists get all the breaks), Rock Hudson makes the most of his central role and actually gives the most polished comic performance of his career. Tony Randall does well as his gin-guzzling neighbor who promises to deliver a eulogy for him. And Doris Day (despite wearing what looks to be the worst looking wig since Barbara Stanwyck's blonde hairdo in "Double Indemnity") uses her own comic flair with style--but personally, I've enjoyed her much more in her other roles with Hudson, especially "Pillow Talk". The focus here is on Hudson and he makes the most of a well-written comic role.
Since one of the writers on the script is Julius J. Epstein, it's no wonder that there's a fresh, smooth-flowing flavor to the proceedings. Not the kind of film you should go out of your way to catch, but it passes the time pleasantly. Epstein worked on some great scripts ranging from "The Strawberry Blonde" to "Light in the Piazza" and his deft writing style is evident here.
With the help of a fairly amusing script and some well played bits by Paul Lynde (as a dedicated undertaker) and Edward Andrews (as a doctor who thinks the specialists get all the breaks), Rock Hudson makes the most of his central role and actually gives the most polished comic performance of his career. Tony Randall does well as his gin-guzzling neighbor who promises to deliver a eulogy for him. And Doris Day (despite wearing what looks to be the worst looking wig since Barbara Stanwyck's blonde hairdo in "Double Indemnity") uses her own comic flair with style--but personally, I've enjoyed her much more in her other roles with Hudson, especially "Pillow Talk". The focus here is on Hudson and he makes the most of a well-written comic role.
Since one of the writers on the script is Julius J. Epstein, it's no wonder that there's a fresh, smooth-flowing flavor to the proceedings. Not the kind of film you should go out of your way to catch, but it passes the time pleasantly. Epstein worked on some great scripts ranging from "The Strawberry Blonde" to "Light in the Piazza" and his deft writing style is evident here.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Send Me No Flowers
- Drehorte
- Produktionsfirma
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Box Office
- Bruttoertrag in den USA und Kanada
- 9.129.247 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Schick mir keine Blumen (1964) officially released in India in English?
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