Füge eine Handlung in deiner Sprache hinzuMelodrama about a prostitute who remembers her ill-fated romances.Melodrama about a prostitute who remembers her ill-fated romances.Melodrama about a prostitute who remembers her ill-fated romances.
- Auszeichnungen
- 1 Nominierung insgesamt
Fotos
Carla Desmond
- Prostitute in U.S. insert
- (Nicht genannt)
Johnny Kuhl
- John in U.S. insert
- (Nicht genannt)
Tammy Latour
- Prostitute in U.S. insert
- (Nicht genannt)
Joanna Mills
- Prostitute in U.S. insert
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSex scenes were filmed and added to the 1962 Isabel Sarli film originally made by Leopoldo Torre Nilsson for release in the U.S. by Cambist Films. A Director credit of 'Leo Towers' appears on-screen as a pseudonym as a result.
- Alternative VersionenSex scenes added for American release.
- VerbindungenFeatured in Twisted Sex: Volume 24 (2009)
Ausgewählte Rezension
Seventy Time Seven (1962)
** (out of 4)
Cora (Isabel Sarli) is a poor young girl who agrees to marry a sheep herder (Jardel Filho) who quickly takes her to a farm out in the middle of nowhere. Pretty soon a horse thief (Francisco Rabal) comes across the farm and Cora quickly begins to have feelings for the man.
SEVENTY TIMES SEVEN, also known simply as THE FEMALE, is an Argentina picture that is well-made and well-acted but sadly it's also deadly boring and that keeps it from being better known. Actress Sarli became a cult figure due to some of her sex films like FEUDO but if you're looking for anything overly sexual here then you're going to be disappointed as this here is pretty much a melodrama.
For the most part I thought the film was well-made and the director at least showed that he could tell a story. The cinematography is also exceptionally good and I thought all three actors were good in their roles. The problem is that you just really don't care about any of them and this adds to the film being rather boring, which in the end causes the film to be hard to get through. A tad bit more energy or passion might have helped things but as they stand, SEVENTY TIMES SEVEN is for Sarli fans only.
** (out of 4)
Cora (Isabel Sarli) is a poor young girl who agrees to marry a sheep herder (Jardel Filho) who quickly takes her to a farm out in the middle of nowhere. Pretty soon a horse thief (Francisco Rabal) comes across the farm and Cora quickly begins to have feelings for the man.
SEVENTY TIMES SEVEN, also known simply as THE FEMALE, is an Argentina picture that is well-made and well-acted but sadly it's also deadly boring and that keeps it from being better known. Actress Sarli became a cult figure due to some of her sex films like FEUDO but if you're looking for anything overly sexual here then you're going to be disappointed as this here is pretty much a melodrama.
For the most part I thought the film was well-made and the director at least showed that he could tell a story. The cinematography is also exceptionally good and I thought all three actors were good in their roles. The problem is that you just really don't care about any of them and this adds to the film being rather boring, which in the end causes the film to be hard to get through. A tad bit more energy or passion might have helped things but as they stand, SEVENTY TIMES SEVEN is for Sarli fans only.
- Michael_Elliott
- 17. Jan. 2018
- Permalink
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Details
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Setenta veces siete (1962) officially released in India in English?
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