IMDb-BEWERTUNG
7,2/10
24.145
IHRE BEWERTUNG
Eine Geschiedene verliebt sich in einen überdrehten Cowboy, der darum kämpft, seinen romantisch unabhängigen Lebensstil beizubehalten.Eine Geschiedene verliebt sich in einen überdrehten Cowboy, der darum kämpft, seinen romantisch unabhängigen Lebensstil beizubehalten.Eine Geschiedene verliebt sich in einen überdrehten Cowboy, der darum kämpft, seinen romantisch unabhängigen Lebensstil beizubehalten.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Peggy Barton
- Young Bride
- (Nicht genannt)
Rex Bell
- Old Cowboy
- (Nicht genannt)
Ryall Bowker
- Man in Bar
- (Nicht genannt)
Frank Fanelli Sr.
- Gambler at Bar
- (Nicht genannt)
Bess Flowers
- Undetermined Secondary Role
- (Nicht genannt)
John Huston
- Extra in Blackjack Scene
- (Nicht genannt)
Bobby LaSalle
- Bartender
- (Nicht genannt)
Philip Mitchell
- Charles Steers
- (Nicht genannt)
Walter Ramage
- Old Groom
- (Nicht genannt)
Ralph Roberts
- Ambulance Driver at Rodeo
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOne of Clark Gable's few on-the-set blow-ups occurred during the filming of the horse-roping scenes. When John Huston insisted on another take after Gable's stunt double had been injured, the actor walked off the set in disgust.
- PatzerWhen Roslyn and Perce are behind the bar, sitting near an old car and a pile of beer cans, the cans change places from cut to cut when seen from behind them.
- Crazy CreditsThere are no closing credits of any kind. Not even the words "THE END" appear on the screen.
- VerbindungenFeatured in Hollywood: The Great Stars (1963)
Ausgewählte Rezension
This movie is about despair. Despair at the passing of a way of life. Despair at disappointed hopes and dreams. Despair at the loss of a loved one, either through death, divorce or disinterest. Knowing that going in and if you don't mind downbeat films there are some really moving performances from a cast full of legends.
Heavy with gloom there is still much too admire though Miller's prose is at times heavy and tending towards pretension. Marilyn's woozy sexuality coming through a haze of pills and booze at times still suits her character's searching and displaced loneliness.
Clark Gable accepted his part after first choice Robert Mitchum passed. Mitchum would have been great of course and publicly stated he regretted not taking the role since he and Marilyn were longtime friends, before both were famous he had worked with her first husband, and he felt that around him she would have been able to pull herself together as she had on River of No Return. This was the end of the line for Gable and his weathered appearance and weariness actually suits the role better than Mitchum's ruggedness would have at that point. The film contains some of the best acting Clark ever did.
Clift and his sad broken looks make a powerful impact and Wallach scores well too but the great Thelma Ritter is somewhat shortchanged since she disappears about halfway through the picture. Her astringent tartness would have been most welcome later in the film when the real heavy going takes place.
Heavy with gloom there is still much too admire though Miller's prose is at times heavy and tending towards pretension. Marilyn's woozy sexuality coming through a haze of pills and booze at times still suits her character's searching and displaced loneliness.
Clark Gable accepted his part after first choice Robert Mitchum passed. Mitchum would have been great of course and publicly stated he regretted not taking the role since he and Marilyn were longtime friends, before both were famous he had worked with her first husband, and he felt that around him she would have been able to pull herself together as she had on River of No Return. This was the end of the line for Gable and his weathered appearance and weariness actually suits the role better than Mitchum's ruggedness would have at that point. The film contains some of the best acting Clark ever did.
Clift and his sad broken looks make a powerful impact and Wallach scores well too but the great Thelma Ritter is somewhat shortchanged since she disappears about halfway through the picture. Her astringent tartness would have been most welcome later in the film when the real heavy going takes place.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Misfits
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 217 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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Oberste Lücke
What is the Japanese language plot outline for Misfits - Nicht gesellschaftsfähig (1961)?
Antwort