Nachdem sich der kämpferische römische Feldherr Marcus Vinicius in die schöne christliche Geisel Lygia verguckt hat, beginnt er, die tyrannische Führung des despotischen Kaisers Nero in Frag... Alles lesenNachdem sich der kämpferische römische Feldherr Marcus Vinicius in die schöne christliche Geisel Lygia verguckt hat, beginnt er, die tyrannische Führung des despotischen Kaisers Nero in Frage zu stellen.Nachdem sich der kämpferische römische Feldherr Marcus Vinicius in die schöne christliche Geisel Lygia verguckt hat, beginnt er, die tyrannische Führung des despotischen Kaisers Nero in Frage zu stellen.
- Für 8 Oscars nominiert
- 4 Gewinne & 10 Nominierungen insgesamt
- Phaon
- (as D. A. Clarke-Smith)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn his memoirs, "Dear Me" (1981), Sir Peter Ustinov recalled that MGM had sought him for the role of Emperor Nero but dithered for months, refusing to commit. During this time, he received numerous telegrams from the studio, one of which stated that they were concerned that he might be too young to play the notorious Roman Emperor. Ustinov replied that Emperor Nero died when he was thirty, and that if they waited much longer, he'd be too old. The studio cabled back: "Historical research has proved you correct. You have the part." Coincidentally (or not), Ustinov was 30 years old when this movie was released.
- PatzerMarcus Vinicius is angry because the Emperor will not allow him to bring his legion into the city of Rome. Since the early days of the Republic a military commander was forbidden to bring his troops armed into the city of Rome.
- Zitate
Petronius: [in his dying letter to Nero] To Nero, Emperor of Rome, Master of the World, Divine Pontiff. I know that my death will be a disappointment to you, since you wished to render me this service yourself. To be born in your reign is a miscalculation; but to die in it is a joy. I can forgive you for murdering your wife and your mother, for burning our beloved Rome, for befouling our fair country with the stench of your crimes. But one thing I cannot forgive - the boredom of having to listen to your verses, your second-rate songs, your mediocre performances. Adhere to your special gifts, Nero - murder and arson, betrayal and terror. Mutilate your subjects if you must; but with my last breath I beg you - do not mutilate the arts. Fare well, but compose no more music. Brutalize the people, but do not bore them, as you have bored to death your friend, the late Gaius Petronius.
- Alternative VersionenThe DVD release restores the original overture and exit music, which, up until that point, was only heard in the original roadshow release and in the 1964 roadshow re-release.
- VerbindungenEdited into Atlantis, der verlorene Kontinent (1961)
Produced by Sam Zimbalist for MGM in 1951 and expertly directed by Mervin LeRoy "Quo Vadis" was Hollywood's first wallop in the fight against the onslaught of Television. Available at first, and for many years only on VHS tape, it then began to appear on a plethora of foreign DVDs but with varying quality it must be said. One such unfortunate issue, which originated in Korea, was released without any opening credits whatsoever! I kid you not! That said - we now thankfully have it in our possession and a superb issue it is! With perfect pristine colour resolution, Robert Surtees' Acadamy Award nominated colour Cinematography comes across with well defined and plush imagery. The various cast members are attired in the most gorgeously coloured costumes. Particularly dazzling is the golden uniform worn by the picture's star Robert Taylor as he proudly bears himself aboard his golden chariot during his triumphal parade through Rome.
Also here is Miklos Rozsa's outstanding Acadamy Award nominated score! His main Roman motif, bold and strong, dominates the scenes in the Forum and in the Arena. In gentler mode is his beautiful love theme for the scenes with the star-crossed lovers Marcus and Lygia. Then there's the frenetic bacchanal-like Hymn of the Vestal Virgins followed immediately by the robust and heroic Triumphal March. Also heard on this issue - and for the first time since the original roadshow release 56 years ago - is the composer's Overture and Exit music. The great Rozsa would barely eclipse his "Vadis" music eight years later with his Oscar winning score for "Ben Hur".
The assembled cast are uniformly excellent except, perhaps, the syrupy and simpering characterization of Deborah Kerr as Lygia. But Robert Taylor is fine in what is probably his best known role as Nero's legion commander Marcus Vinicus. Outstanding is Leo Genn as Petronious - the sardonic and sarcastic confidante of the tyrannical Emperor Nero. And of course there is the wonderful Peter Ustinov chewing up every bit of scenery there is as the crazed and loony Nero. Both Ustinov and Genn were nominated for Acadamy Awards. The picture is also buoyed by some colourful and elaborate set pieces such as the Vestal Virgins singing and wildly dancing in homage to the goddess Vesta, the spectacular triumphal parade of the Roman legions taking the salute from Nero as it passes the great palace, the exciting chariot chase, the brilliantly staged burning of Rome and the harrowing scenes in the Arena as the lions are released on the hapless hymn-singing Christians.
These scenes all come across extremely well on this excellent DVD which comes with a trailer, a splendid 45 minute featurette "Quo Vadis And The Genesis of the Biblical Epic" and a commentary by one F.X. Feeney who persists in calling the leading lady's character Leega instead of Lygia and neglects to tell us that the opening narration is spoken by MGM favourite Walter Pidgeon (uncredited). However this is only a minor quibble and does nothing to diminish the greatness of this issue. Bravo Warner Home Video!!
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Details
Box Office
- Budget
- 7.623.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 101.486 $
- Laufzeit2 Stunden 51 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1