Die Tochter der Lüge

Originaltitel: La hija del engaño

1951
1 Std. 18 Min.

IMDb-BEWERTUNG

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Füge eine Handlung in deiner Sprache hinzuAfter discovering he's being cheated on by his wife María, Quintin kicks her out of the house. Upon leaving, his wife confesses that their daughter Martha is actually not Quintin'd daughter.... Alles lesenAfter discovering he's being cheated on by his wife María, Quintin kicks her out of the house. Upon leaving, his wife confesses that their daughter Martha is actually not Quintin'd daughter. Quintin abandons the child in front of a poor family's house. Ten years after, María is o... Alles lesenAfter discovering he's being cheated on by his wife María, Quintin kicks her out of the house. Upon leaving, his wife confesses that their daughter Martha is actually not Quintin'd daughter. Quintin abandons the child in front of a poor family's house. Ten years after, María is on her death bed, and tells Quintin that Martha is actually his daughter. Quintin must set ... Alles lesen

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,5/10

773

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Fotos5

Topbesetzung40

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Fernando Soler

Quintín Guzmán

Alicia Caro

Martha

Fernando Soto

Angelito
(as Fernando Soto 'Mantequilla')

Rubén Rojo

Paco

Nacho Contla

El Jonrón

Amparo Garrido

Jovita

Lily Aclemar

María

Álvaro Matute

Julio

Roberto Meyer

Lencho García

Conchita Gentil Arcos

Toña García

Francisco Ledesma

Don Laureano (Cantinero)

Xavier Loyá

Jugador Joven
(as Javier Loya)

Armando Acosta

Mesero
(Nicht genannt)

Agripina Anaya

Espectadora accidente
(Nicht genannt)

Gustavo Aponte

Payaso triste cabaret
(Nicht genannt)

Armando Arriola

Jugador
(Nicht genannt)

Victorio Blanco

Jugador
(Nicht genannt)

Lupe Carriles

Mujer en la Calle
(Nicht genannt)

Handlung

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Verbindungen
Version of Don Quintín el amargao (1925)

Benutzerrezensionen7

Ausgewählte Rezension

Don Quintin in his own Infierno

This is a minor entry in Bunuel's Mexican period. It's a farce of sorts, that starts as a melodrama and ends up like a screwball comedy. There are some little Bunuel touches here and there, especially in the first half of the picture, but all in all this can't account among Don Luis' most personal films. Technically it is as usual superb. There's one elegant 20 year transition that takes place in the dark between the closing and opening of a cupboard and a puzzling breaking of the fourth wall at the end, when Don Quintin approaches the camera and talks to the audience before going back to the happy ending. I liked the idea of a cabaret called El Infierno decorated with flames and big puppet devils hanging from the roof. Only a man like Bunuel could come with such stuff.